Every Place Has a Story

Vancouver Confidential: not your Dad’s history book

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Those of us who write history books are used to being told “my dad would love that.” And while hearing things like this warms our hearts; it’s nice to think that our books are finding a wider audience.

Cover painting by Tom Carter, design by Derek von Essen
Cover painting by Tom Carter, design by Derek von Essen

I reckon John Belshaw has nailed it with Vancouver Confidential, a book that should appeal to all demographics and interests. As John writes “most civic histories celebrate progress, industry, order and vision. This isn’t one of those.”

I’m proud to be one of the 14 contributors to this book. My colleagues are academics, writers, artists, tour guides and musicians, all drawn together by a fascination for obscure facts and ephemera, and a love for non-traditional history.

It’s my pleasure to introduce three of our young and talented contributors: Catherine Rose, Rosanne Sia and Stevie Wilson.

Cat Rose
Cat Rose

Cat Rose is a crime analyst with the Vancouver Police Department who moonlights as a Sins of the City tour guide. It’s a dual role that gives her a unique insight into Vancouver’s underbelly. Her chapter “Street Kings; the dirty ‘30s and Vancouver’s unholy trinity” features a corrupt chief of police and two of Vancouver’s most notorious criminals.

“When I was digging through our files at the Police Museum one day, I found some long lost documents pertaining to an internal enquiry in 1935,” she says. “There’s a perception in society that “the Thin Blue Line” protects even the most corrupt police officers from facing justice, but I thought it was really interesting to see how corruption was perceived by members of the Vancouver police themselves back in the 1930s and how many officers were willing to rat out their brothers to try and put a stop to it.”

Before moving to L.A. to work on her doctorate in American Studies and Ethnicity, Rosanne Sia taught English

Rosanne Sia
Rosanne Sia

in Paris, worked as a storyteller for the Vancouver Dialogues Project, as a researcher for the Visible City project, and worked on the Hope in Shadows calendar with Pivot Legal Society in the DTES.

Rosanne’s chapter describes a 1937 murder that triggered a ban on white waitresses in Vancouver’s Chinatown, and is punctuated by a Vancouver Sun photo of 15 waitresses on a protest march from Chinatown to Vancouver City Hall.

“What is so remarkable about these young women is that through their personal experience working in Chinatown they had learned to see issues around race and ethnicity in a different way than almost every other Caucasian in Vancouver,” she says. “I loved their determination and the brazen attitude they displayed to the authorities.”

Stevie Wilson and Lyle
Stevie Wilson and Lyle

At 26, Stevie Wilson is the youngest of our group, but she already has a formidable resume. Stevie is a columnist for Scout Magazine, and she wrote and co-produced Catch the Westbound Train, a documentary that aired on the Knowledge Network in August and has already notched up a slew of awards. The film and Stevie’s chapter drops us into the Vancouver of 1931, where hobo jungles sprang up to house the homeless men who poured into the city looking for work.

“I stumbled upon a few archival photos of the hobo jungles while doing research for a column and was immediately both confused and curious. Who were these men who had constructed these small shelters with their bare hands? More importantly, why had I never heard about them?” she says. “I felt this subject was something that Vancouverites should know about, and that the story of these men provides a few thoughtful parallels to our own modern issues of homelessness and unemployment.”

The book launch for Vancouver Confidential kicks off at 6:00 p.m. Sunday September 21 at the Emerald Supper Club in Chinatown.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Vancouver Noir

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Definition of “Noir” from the Free Dictionary: “Of or relating to a genre of crime literature featuring tough, cynical characters and bleak settings. Suggestive of danger or violence. Of or relating to the film noir genre.”

When I wrote At Home with History, the 1930s Strathcona seemed a natural place to start. I talked to people who had lived through that era, had parents who bootlegged to survive, knew the girls from the local brothels, and many of the cops who enforced BC’s crazy liquor laws. That chapter soon morphed into a second and a third on rum runners and liquor barons who lived on the west side of town, and who by their vast wealth remained relatively untouched by a largely corrupt police force.

Anvil Press, 2012I took Will Woods Forbidden Vancouver tour last month, and I recently finished Vancouver Noir, a book that covers a 30 year period through the lens of a camera.

Authors John Belshaw and Diane Purvey believe that Noir-era values are found in the gritty black and white police and newspaper photographs of the day. Shot by the Speed Graphic camera—a invention of the late ‘20s—the photos feature hard-nosed detectives, murder scenes, bullet-ridden cars, riots and rain slicked streets lit by neon signs.

“What appeals to us about the period 1930-1960 is that there isn’t a lot in the way of progress, in fact, there’s an overall collapse,” says Belshaw. “It’s an era of failure.”

It was a city that produced Walter Mulligan, the top cop on the take, serial Mayor L.D. Taylor, Joe Celona–Vancouver’s own Al Capone, and fruitless wars on vice, racism and poverty.

From Vancouver Noir“What we tried to do with Vancouver Noir is show Vancouverites a city with big brass balls. A place where gambling joints were everywhere, cops were on the take, and you could get a decent steak dinner and hear some great music anywhere from Hogan’s Alley through the Mandarin Gardens to The Cave,” he says. “This was a city without global ambitions—it was a hard-boiled port town where even the Chief of Police wrote like he was Dashiell Hammett.”

Belshaw and Purvey argue that it was a period of one moral panic following another. Values were in flux and the growing middle class tried to squash what they saw as deviant behavior.

“We wanted to show that the battle against deviance was a serious business.  It took out whole neighbourhoods, justified murders, deported its enemies—this was no imagined confrontation—it’s bare-knuckled stuff,” says Belshaw.

It’s a long way from the glossy tourism photos of English Bay and Grouse Mountain, and it’s a side of Vancouver that will likely surprise most Vancouverites. But it’s as much a part of our make-up as the stories of Gassy Jack and the CPR, and one that I’m betting we’ll be hearing more about from a whole new wave of writers.

For more information see the authors’ blog and Anvil Press.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.