Every Place Has a Story

The Imperial Roller Skating Rink and Other Missing Structures of Beach Avenue

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The Imperial Roller Skating Rink opened in 1907 at English Bay and boasted the largest skating floor in North America.

Imperial Roller Skating Rink (1907-1914) Photo courtesy Vancouver Archives
Morton Park:

In 1907, more than 100 years before the famous laughing statues appeared at English Bay, the Imperial Roller Skating Rink opened in Morton Park at Denman and Davie Streets. Roller skating was surging in popularity and the rink was housed in a big wood framed building with a huge tower that looked out over Beach Avenue and boasted the “largest skating floor on the continent.”

From: Vancouver Exposed: Searching for the City’s Hidden History

In 1912 for instance, you could go skating at the Roller Rink and wander across the road, past the Englesea Lodge and out along the English Bay Pier. If you continued back along Beach Avenue, you’d pass Joe Forte’s home at the foot of Bidwell Street, and you’d find more than 30 houses ringing the water side of Beach Avenue.

English Bay Pier with the Roller Rink in the background. CVA 71-17 1912
Burned down in 1914:

What happened to all those amazing structures you ask? Well they either burned down or we pulled them down. The Roller Rink was the first to go—it burned in 1914. Joe Forte died in 1922 and his sweet little cottage was burned to the ground—the standard practice for demolition in the 1920s.

Joe Fortes in front of his cabin at the foot of Bidwell Street, ca.1910. CVA BuP111, colourized by Canadian Colour

The English Bay Pier, considered an eyesore by many, was demolished in 1939. Following a plan to rid the shoreline of bricks and mortar, the City gradually purchased all of the houses, and by the 1950s Beach Avenue was bulldozed back to nature. The only hold-out was the Englesea Lodge, and arson took care of that problem in 1981.

Paul Dixon photo, February 1, 1981
A-maze-ing Laughter:

At least we get to keep the sculptures. They were designed by Yue Minjun and installed in 2009. Each of the 14 bronze statues stands over nine feet and weighs more than 500 pounds. They were installed as part of the Vancouver Biennale, a program that puts international art in public spaces for two years. The inscription that’s carved into the concrete reads “May this sculpture inspire laughter playfulness and joy in all who experience it.”

To give credit where it’s due, A-maze-ing Laughter is now a permanent exhibit because Chip Wilson forked over US$1.5 million to keep it here. And, just maybe because he can see it from his $67 million house across the water–still the pricest digs in British Columbia.

For more posts like this see: Our Missing Heritage

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus

Public Art in Vancouver

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Eve Lazarus photo - Hug Franca public artDepending on where you live, you’ve probably noticed large sculptures and other forms of public art popping up around your neighbourhood.

I was at Spanish Banks as part of a tour by the Musqueam last Saturday and was delighted to discover these enormous pieces of furniture sculpted by Brazilian artist Hugo Franca from fallen trees.

Franco was a computer programmer in Sao Paulo before he went feral in 1982, moved to a remote village in the Bahia jungle and began working with salvaged wood.

The art is part of an open museum brought to the city by the Vancouver Biennale. The exhibition runs until 2016, features 20 international artists in Vancouver, New Westminster, Squamish and North Vancouver.

There is “The Meeting,” six large red figures squatting in a park off North Van’s upper Lonsdale  Avenue by Chinese artist Wang Shugang.

Ammar Mahimwalla, project coordinator, tells me that once they figure out the logistics, expect to see nine eight-foot-tall figures by Polish artist Magdalena Abakanowicz start appearing on Lonsdale between 13 and 21st.

I’m planning to use the Biennale’s website map to plot a course and bike around all of the public art this summer.

The theme for the exhibition is Open Borders/Crossroads. “Vancouver is a city that’s very international and vibrant,” says Mahimwalla. “It’s a very  diverse city and we celebrate freedom of expression and multiculturalism, so we wanted artists to respond to that in terms of their own artistic practices or political history or identities and what this means to them.”

When the exhibition finishes in 2016 most of the public art will either sell to private collectors or return to the artist’s home country. Sometimes, a benefactor will come along—as with Lululemon’s Chip Wilson—who paid $1.5 million to keep the fabulous A-maze-ing Laughter in the West End as a permanent exhibit.

Mahimwalla says the most controversial sculpture was the upside down church created by American artist Dennis Oppenheim in 2005. It was rejected by the Parks Board, went off to the Glenbow Museum in Calgary for five years, and now sits in storage. I reckon it’s time to bring it back.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.