Every Place Has a Story

Vancouver’s Peace House and the Grateful Dead

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I was riding my bike along Point Grey Road this week and snapped a few photos of the Peace House. It’s an interesting looking place, and as it turns out, has quite the past.

The Peace House
The Peace House. Eve Lazarus photo, July 2023
3148 Point Grey Road:

It was built in 1908 by R.D. Rorison who was an early real estate agent and developer. His company bought the English Bay Cannery in 1905, tore it down and used the wood to build part of the house.

Peace House
Vancouver Daily World, July 28, 1908

In 1965, the house attracted an anti-nuclear group who were protesting the storage of nuclear weapons at the Comox RCAF Base. The leader was a 22-year-old UBC student named Peter Light, who spent most of his time organizing a protest march from Victoria to Comox. The house became widely known as the Peace House and freaked out its more conservative neighbours.

Peace House
Peace House in 1908. Vancouver Archives photo

From a May 21, 1965 Province article: “The city has lost patience with the Peace House. The zoning appeal board has rejected a presentation that a group of bearded, sandal-wearing peace demonstrators who occupy the house at 3148 Point Grey Road should be classed as a philanthrophic organization.”

And on that same day in the Vancouver Sun: “The house is run down, dirty shirts hang in the window, fires have been started in the middle of the front room floor using chairs for fuel, and that newspaper reports of free love in upstairs rooms are true because they could look in and watch. They are degenerating the outlook and spirit of young Canadians.”

Peace House
1966. Courtesy Jerry Kruz
The Afterthought:

A couple of years back when I was chatting to Jerry Kruz about his exploits as a 17-year-old promoter, he told me he lived in a room at the Peace House while he was bringing acts to the Afterthought. He brought in Country Joe and the Fish, the Steve Miller Band, and in 1966, paid the Grateful Dead $500 to play there. The band also crashed at the Peace House. According to Heritage Vancouver Society, so did other cultural icons of the day such as Timothy Leary, Baba Ram Dass and Allen Ginsberg.

Peace House
The Peace House plaque which used to sit across the street, courtesy Phil Larsen. Phil says you can still see the paint from the English Bay Cannery on one edge of the house.

In 1968, the house played a role in Robert Altman’s thriller That Cold Day in the Park. Grant Lawrence has a great story about Ginger Baker, the legendary drummer from Cream staying there. “It was essentially a crash paid for local and wandering hippies and touring bands,” writes Grant.

The Peace House
The Peace House. Eve Lazarus photo, July 2023

Michael Kluckner tells me that Jeannette and her husband, renowned artist Jeff Wall, lived at the Peace House around 1970. “The house came up for sale then for $17,000, but had no takers partly because it had a huge sawdust-burning furnace that needed replacing,” says Michael. A woman from Toronto bought it, and according to rumour, hired architect Arthur Erickson to do some remodelling.”

The six-bedroom house is currently assessed at $4.4 million.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Further Reading:

The Photography of Svend-Erik Eriksen

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I’m a big fan of Svend-Erik Eriksen’s photography of Vancouver in the ’70s. Last week I called him up and asked how he got started.

Pantages Theatre on East Hastings Street, 1973 (demolished 2011)
Photo: Svend-Erik Eriksen

Erik, is an animator by trade, but his interest in photography goes back to the 1950s when he was a kid in Namu, BC. His parents had immigrated from Denmark and sponsored a Hungarian refugee family who lived with them for a year. “Mr. Frank had a dark room and when I saw pictures emerging in the developer tray, I was just gob smacked. I thought this was incredible.” When Erik was about 12 he moved to the Lower Mainland and saved up and bought a Nikon camera.

Erik’s studio was above Frank’s Cabaret on East Hastings in the 1970s. Photo: Svend-Erik Eriksen
Vancouver School of Art:

In 1969, Erik was a first-year student focusing on photography, painting and animation at the Vancouver School of Art. “In those days animation was very laborious and required a lot of technical skill, the technical end of photography came naturally,” he says.

East Hastings and Columbia from Erik’s studio. Svend-Erik Eriksen photo

After he graduated, an animation project he was working on needed backgrounds of city streets. Erik got up one early Sunday morning in July 1973 and walked from Main to Columbia taking photos.

Svend-Erik Eriksen

“I walked all the way down to Woodwards turned and walked all the way back taking photos every ten feet or so,” he says. The NFB film was never aired and the negatives languished in Erik’s drawer for the next couple of decades until he found that someone was doing an analysis of the deterioration of Hastings Street and was looking for photos.

“I had to dig for them. They were all scratched up and full of dust and mildew because they were never meant to be art, they were meant to be utilitarian.”

East Hastings Street, 1973. Svend-Erik Eriksen photo
Unfinished Business:

Erik scanned the negatives, cleaned them up and started stitching them together. When Bill Jeffries, curator at Presentation House in North Vancouver heard about them he asked if he could include them in his upcoming group show: Unfinished Business: Vancouver Street Photographers 1955 to 1985.

East Hastings Street, 1973. Svend-Erik Eriksen photo

Unfortunately, I missed the show in 2003, but I do have the book and it’s filled with some of my favourite photographers: Michael de Courcy, Greg Girard, Curt Lang, Jeff Wall, Paul Wong, Bruce Stewart, Tony Westman and Henri Robideau. Erik’s beautiful panoramas are prominently placed between Fred Herzog and Ian Wallace.

Woolworths on Hastings Street. Svend-Erik Eriksen photo

I asked Erik if he thought of himself as a street photographer.

“No, not really, I consider myself a very eclectic photographer. I work mostly by intuition, I walk around and I take pictures. I don’t actually analyze it too much. It’s very organic, I don’t try and make art.”

1970s Strathcona. Svend-Erik Eriksen photo
Related:

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.