Every Place Has a Story

Arthur Erickson’s House and Garden are on the Endangered List

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Arthur Erickson is one of Canada’s most famous architects, yet his own house and garden ranks #8 on Heritage Vancouver’s top 10 endangered sites for 2014. 

Erickson's house on West 14th. Selwyn Pullan Photo, 1959
Erickson’s house on West 14th. Selwyn Pullan Photo, 1959

Arthur Erickson’s fingerprints are all over some of Metro Vancouver’s most iconic buildings—the Museum of Anthropology, Simon Fraser University and dozens of residential houses.

Unusual for an architect, Erickson chose not to design his own house, but bought a large corner lot in Point Grey with a 1924 cottage and garage for $11,000 out of which he created the 900-square-foot home where he lived for the next 52 years.

“Architecturally this house is terrible, but it serves as a refuge, a kind of decompression chamber,” he told author Edith Iglauer*.

Museum of Anthropology
Margaret Trudeau with Arthur Erickson and Elvi Whittaker, 1976. Photo John Morris, UBC Library

He replaced the walls with sliding glass and connected the buildings, adding a bathroom and a kitchen. He played with different materials—leather tiles on the bathroom wall, wall tiles in Italian suede in the living room, and Thai silk in the study—and then he turned his attention to the garden.

Erickson bulldozed the English garden, dug a hole for the pond and used the dirt to make a hill high enough to block the view of his house from his neighbours.

“Everybody in the neighbourhood thought I was excavating to build a house, and chatted with me over the picket fence, very happy to believe that they were no longer going to have a nonconformist garage dweller among them,” he told Iglauer*.

He planted grasses and rushes from the Fraser River, pine trees from the forest, put in 10 different species of bamboo, and added rhododendrons, a dogwood, and a persimmon to the existing fruit trees. He was known for throwing lavish garden parties that drew a guest list ranging from Pierre Trudeau to Rudolf Nureyev

Barry Downs lived in the Dunbar area at the time and knew Erickson quite well.

“We both had little ponds full of fish and one day Mary and I gave him a turtle,” said Downs. “He phoned me up and said ‘get over here your turtle is eating my fish!’”

Down’s told him that was impossible, the turtle had a mouth the size of Erickson’s thumb.

“I went over and sure enough there’s a fish sticking out of its mouth,” said Downs, adding that yes he took the turtle back.

“Arthur was ruthless. He had a BB gun and would shoot at the herons that would come in and land and eat his fish. Once he told me that he shot through the neighbour’s window accidently,” says Downs.

Arthur Erickson. Selwyn Pullan photo, 1972
Arthur Erickson. Selwyn Pullan photo, 1972

Downs says the impressive Japanese-inspired marble terrace panels in the garden are the toilet stalls from the old Hotel Vancouver.

Erickson may have been a talented architect but he was hopeless with finances. By 1992 he had racked up over $10 million in debt and was on the verge of losing his house. A group of friends which included Peter Wall, who took over the $475,000 mortgage, placed the house and garden in the hands of the Arthur Erickson Foundation. Erickson lived there until his death in 2009.

*Iglauer, Edith. Seven Stones: A Portrait of Arthur Erickson, Architect. Harbour Publishing, 1981.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus. 

The incredible photography of Selwyn Pullan

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Selwyn Pullan, photographer
Selwyn Pullan in his studio, 2008. Kenneth Dyck photo

I’ve been posting pictures of the BC Electric Building on Facebook this week, but I haven’t posted this one—it’s on the back of Sensational Vancouver and in the chapter on West Coast Modern. The photo was shot by Selwyn Pullan in 1957, the same year BC Electric completed this ground breaking piece of architecture.

Selwyn Pullan, photographer
B.C. Electric Head Office in 1957. Selwyn Pullan photo

While Ned Pratt and Ron Thom were designing the BC Electric building and other west coast modern architects such as Arthur western living 1961Erickson and Barry Downs were producing buildings full of glass and angles and natural materials built to expand into spaces in ways unseen before, it was Selwyn Pullan who captured their vision.

Selwyn studied under Ansel Adams at the Art Center School in Los Angeles, and after moving back to Vancouver he became a sought after commercial photographer, working for magazines such as Western Homes and Living, Macleans and Architectural Digest.

“I just look at the house and photograph it,” he told me. “I don’t have any preconceptions when I photograph, it’s a journalistic assignment not a photographic one.”

Many of Selwyn’s photos are in my book, and so is he. He’s over 90 now and still living in the North Vancouver house he bought in 1952. Pullan asked Fred Hollingsworth to design a carport. The finished structure looks more like a plane than a garage, and that’s interesting not just from an architectural point of view, but because he and Hollingsworth used to make model airplanes together as teens. Pullan says Hollingsworth still does.

Selwyn Pullan's studio. Selwyn Pullan photo, 1960
Selwyn Pullan’s studio. Selwyn Pullan photo, 1960

In 1960 when Pullan needed a multi-purpose studio and darkroom for his growing photographing business, he sought out Hollingsworth again. Rather then add another room to the house, the architect created a covered passageway that led from the house and flowed down the slope of the property. He designed a two-level studio with floor-to-ceiling windows and concrete floors that blend seamlessly with the landscape.It was here in 1969 that Selwyn shot the paintings for Lawren Harris’s book, from the artist’s early days with the Group of Seven through to his abstract period in Vancouver. Selwyn refused to shoot them anywhere except his studio and only when he was alone. The paintings would be trucked to his studio in batches, taken away and a new group brought in. Harris, who lived on ritzy Belmont Avenue in Vancouver, died the following year. Selwyn Pullan: Photographing Mid-Century West Coast Modernism Cover image by DRK Design. To see more of his work, see Selwyn Pullan: Photographing Mid-Century West Coast Modern, Douglas & McIntyre, 2012.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.