Every Place Has a Story

Paul Yee’s Vancouver Archives

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About six years ago, I was doing some research for my book Sensational Vancouver and took a tour of Strathcona with James Johnstone. I was excited to meet Paul Yee, a historian who now lives in Toronto, and has written several brilliant books which include Salt Water CityTales from Gold Mountain, and most recently, A Superior Man (see Paul’s website for a full list).

Paul Yee
Paul Yee outside his childhood house at 540 Heatley Street in 2013. Eve Lazarus photo

Paul told me that he lived in three different houses in Strathcona between 1960 and 1974.

“I was an orphan,” he said. “When whole blocks of houses around me were demolished, I felt like I was being shoved onto a stage for the world to see all the shame that came from living in a slum. Even as a child, I knew Vancouver had better neighbourhoods. I was embarrassed to tell people my address, show others my library card.”

Paul’s first address was 350 ½ East Pender Street. The house is long gone, and the ½ refers to a smaller house that stood at the rear of the main residence, he says. The family left in 1968 to live above the Yee’s family store at 263 East Pender, and in 1971 they moved to 540 Heatley Street. Later, the Yee’s moved east into the Grandview Woodlands Neighbourhood.

200 Block East Hastings in 1986, from the Paul Yee Fonds, Courtesy CVA 2008-010.0523

Paul, was amazed at how much Strathcona had changed “When I walk through Strathcona now, what really hits me is how green and lush it is. The place is now respectable, unlike when I lived there,” he said.

This week, Vancouver Archives announced that thanks to funding from the Friends of the Vancouver City Archives, they have now digitized 3,700 photos that the Yee family donated in 2014. Many are Paul’s own photos, and there are also oral interviews online from the ‘70s and ‘80s with Chinese Canadian seniors and community members. You can read more about it on their great blog AuthentiCity.

A racist poster from UBC in 1987. Courtesy Paul Yee Fonds and CVA 2008-010.1762

Many of the historical photos that you see in our books and on the many Facebook pages that are about “old” Vancouver, including my own Every Place has a Story, come from Vancouver Archives, and it’s all free of charge. It’s an incredible resource, and if you become a member of the Friends of the Vancouver Archives, your money goes to digitizing more of these records.

Arrival of Chinese Statesman Li Hung-Zhang at the CPR dock at the foot of Howe Street in 1896. Courtesy Paul Yee Fonds and CVA 2008-010.4121

Personally, I’m looking forward to the AGM on March 31 with guest speaker Ron Dutton. Ron started the BC Gay and Lesbian Archives in 1976, and he recently donated over 750,000 posters, sound recordings, photographs, magazines and clippings to the Archives.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Vancouver Archives Receives Two Million Negs

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City archivist Heather Gordon says the recent donation of a whopping two million negatives from the Sun and Province (Postmedia) photo library is the largest photographic collection that Vancouver Archives has ever received. It’s also one of the most important.

Heather Gordon shows off a recent donation from the Vancouver Sun and Province. “The information in the accompanying card index and on the envelopes—is fantastically detailed and complete,” she says. “Archivists don’t see that much metadata very often.”

“The Sun and Province photographers were everywhere, documenting everything, so their work is an extraordinarily valuable source of information about Vancouver particularly between 1970 and 1995,” she says. “I haven’t had a chance to really dig into the content, but I’m looking forward to seeing skyline shots and photos of neighbourhoods through the 70s, 80s and 90s. I suspect there will be coverage of events such as early PRIDE parades and there are some great aerial shots of the city that will be great for research.”

There are also a number of images from the 1940s, ‘50s, and ’60s including the 1948 Fraser Valley floods and the 1954 British Empire and Commonwealth Games.

Acting Mayor Harry Rankin leads rock group Heart out of Vancouver City Hall in 1977,  Deni Eagland, Vancouver Sun

Kate Bird, author of Vancouver in the Seventies and City on Edge, and a PNG librarian for 25 years, helped manage the large collection.

When Kate started in 1990, there were 20 staff members working in the library, now there’s just Carolyn Soltau who manages the collection.  “Over the years we tried really hard to get more public access to it—to take the digital image archive and make some of those images available online, but we never got any traction, there was no money for it.” says Kate.

Bird says that in the 1970s two dozen photographers worked either for the Sun or the Province shooting over 4,000 assignments each year (that’s over 10,000 rolls of film a year).

The Vancouver Stock Exchange trading floor, June 1979. George Diack, Vancouver Sun

“That’s how much stuff there is—every part of the city’s history—news, business, sports, entertainment, lifestyle, Smile of the Day—you name it.”

Gordon says she can’t put a value on the collection just yet, but she’ll be having it appraised later this year.

Postmedia retains the copyright, but local history writers can relax, the images will be freely available for research and news reporting. Commercial users will have to ante up to Postmedia.

A Star Wars line-up in June 1977 at the Vogue Theatre. Glenn Baglo, Vancouver Sun

Gordon warns that digitizing images is expensive and time consuming and it might be sometime until the collection is available to the public.

“On average our technician can scan between 80 and 100 images a day, and an archivist can describe anywhere from 100 to 200 images a day,” says Gordon. “The average cost per day is about $240 for the technician and about $330 for the archivist.”

Prior to the Postmedia donation, CVA had 130,000 images available online—roughly 8% of their collection.

Remember the Sea Festival? Brian Kent, Vancouver Sun, July 1977

Last year, thousands of photos were digitized including more than 4,300 from the City heritage inventory as well as Habitat Forum photos.

Gordon says they plan to add another 20,000 images this year which will include the Paul Yee Fonds and about 5,300 Don Coltman photos from the Williams Brothers Photographers collection.

A number of factors come into play when deciding what to digitize next, she says, including public interest in the content, physical condition, and most importantly—funding.

Nearly 7,000 photos from Habitat ’76 are now online. Courtesy Vancouver Archives

“We rely mostly on grants and private-sector donations to fund our digitization program,” she says. “If someone donates toward digitizing a certain group of records, those records move up the queue.”

Want to see these images get online faster? Here’s how to help:

Make a donation or take out a membership with the Friends of the Vancouver Archives – if you’re an addict like I am it will be the best twenty bucks you’ve ever spent.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Colouring History

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Canadian Colour
VD Celebrations in Chinatown in 1945. Original photo: CVA 1184-3046

If you’re on social media you are likely already familiar with Canadian Colour–beautiful, eye-popping historical photographs of Vancouver’s people, buildings and events. The guy behind these colourized photos is Mark Truelove, a Brit who moved to B.C. 16 years ago, and now lives in Hope.

Mark’s day job is web designer/developer, but increasingly he’s doing colourization work for individuals and corporations.

Canadian Colour
Joe Ricci and the Vancouver Police Department, 1924. CVA 99-3470

Lucky for us, he also colours photos for fun and then shares them via Facebook and Twitter.

“The colour erases a little bit of that barrier between us and history and I really like connecting with the regular people back then and I find the colourization helps me to do that,” he says.

Joe Fortes, ca.1910. CVA 677-441
Joe Fortes, ca.1910. CVA 677-441

Mark has always been interested in history, and about five years ago, started to digitally colour old black and white photos from his family album.

When he ran out of those he went to Vancouver Archives.

One of his favourite finds is a photo of the Amputation Club of 1918. The club, which had offices in the Dominion Building, was formed shortly after World War 1 and is now known as War Amps.

Canadian Colour
The Amputation Club, 1918. CVA 99-5217

“That photo ticks my World War 1 interest box. I can see the connection between then and now with lots of soldiers coming back from Afghanistan or somewhere like that. Their hopes and dreams are going to be similar to the ones those guys have, so I see a connection across time.”

Another one of his favourites shows a crowd going about their morning outside the ABC coffee shop in Burnaby in the ‘40s.

Canadian Colour
CVA 1184-3276 1940s

“I’m not so keen on doing famous people, I genuinely like photos that are of regular people doing regular things. It’s more just slices of life,” he says.

After Mark finds an archival photo that captures his attention he starts to research the period to find out the proper colour of everything from clothing to transit to sign posts. He often lands on blogs such as Past Tense, Illustrated Vancouver and Every Place has a Story where a local writer has already researched the history, such as his colourized photos of Joe Ricci and the Vancouver Police Department, Joe Fortes, and the Flying Seven.

Canadian Colour
Flying Seven, 1936 CVA 371-478

“Knowing those personal details really ties me to the photograph,” he says.

He starts by loading the black and white photograph in Photoshop. Then he adds layers of colour and then begins to define a “mask” for the layer which shows where to apply the colour on the image.

Canadian Colour
Bloody Sunday, May 20, 1938. Original photo courtesy Vancouver Public Library.

“If I am working on a portrait of somebody I would put on these coloured layers and I would mask it out so that colour only applies to the face,” he says. “If it was a guy in a suit, I would do another layer for his jacket, and for his waistcoat, shirt, tie and shoes.”

A portrait, he says, can take just an hour or two, whereas a photo with dozens of people and buildings and scenery can take upwards of 40 hours to complete.

Canadian Colour
Almonds Ice Cream on Beach Avenue in 1920. Sylvia Hotel at back. CVA 99-3097

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

 

 

What the Alhambra Theatre and the Vancouver Stock Exchange have in common

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From Vancouver Exposed: Searching for the City’s Hidden History

I was spending a typical Friday afternoon yesterday poking around the digital files at Vancouver Archives when I found this photo of the Alhambra Theatre. The photo was taken in 1899, the year the theatre first appears in the city directories and it stood at the corner of West Pender and Howe Street.

West Pender and Howe Streets
Alhambra Theatre, 850 West Pender Street, 1899 CVA Bu N424

While I often run posts lamenting the loss of our old building stock, I do realize that change is inevitable, and all of it isn’t bad. I wanted to know what had replaced this old theatre.

The Royal Theatre at West Pender and Howe Street
1902 Tourist Guide map showing the Royal Theatre courtesy Tom Carter

The Alhambra Theatre didn’t last long. By 1901 it was the Royal, and two years later the People’s Theatre. Tom Carter*, who is the expert on anything and everything that’s theatre in Vancouver, tells me that Vaudeville magnates Sullivan and Considine performed a huge renovation and turned it into the Orpheum in 1906. The theatre lasted at 805 West Pender until, according to Tom, its owners rebuilt the Vancouver Opera House into the second Orpheum Theatre in 1913 (the current Orpheum Theatre was built in 1927).

850 West Pender Street
People’s Theatre 1903

In 1914, the West Pender building is listed in the directories as the “old Orpheum Theatre” and (possibly because it’s now the war years) it doesn’t get a mention again until 1917 when it becomes a tire-dealership. The building then hosts a couple of different taxi companies, and at one point the Sing Lung Laundry.

The Orpheum Theatre, VPL 7277, ca.1906
The Orpheum Theatre, VPL 7277, ca.1906

By 1929 the building has been replaced by the eleven-storey neo-gothic Stock Exchange, its address changes to Howe; and it becomes the home of the Vancouver Stock Exchange until 1947.

West Pender and Howe Street
Stock Exchange Tower, 475 Howe Street, 1929 CVA 1399-600

It’s a valuable piece of real estate in development hungry Vancouver, and its zoned for a much higher tower. But instead of knocking down this old gem as we’re prone to do, Credit Suisse, a Swiss company has stepped in with the Starchitect behind the restoration of London’s Tate Modern gallery, to incorporate the old building into the design for the new.

The new building will be a 31-storey office tower and the ground floor will be retail.

It’s an impressive looking building, a win for heritage, and a nod to the original architects—Townley and Matheson, the same two who designed Vancouver City Hall in 1936.

*For more on Vancouver’s theatre check out Tom Carter’s chapter in Vancouver Confidential: “Nightclub Czars of Vancouver and the Death of Vaudeville.”

* For more on our missing theatres: Our Missing Theatre Heritage – what were we thinking?

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

 

Then and Now: Images of Vancouver

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Last week I wrote about Darren Bernaerdt who teaches Photoshop at Langara College. Each year Darren sends his students to the Vancouver Archives to look at old photographs, choose one that resonates with them, research it and then go out and photograph the same scene from the same angle and merge them together. The results are amazing, and I’ve been posting different ones on Facebook all week.

Merging time
Merged image by Andrea Silvestre. 1931 photo by Stuart Thomson CVA 99-3892

The image from Gastown pictured here is by Andrea Silvestre, a second year student in the Professional Photo Imaging Program. Andrea told me that a lot of her classmates chose street scenes for their subject, but she wanted to be different. “I found that past work that featured a specific landmark or an action scene was far more engaging, interesting and beautiful in terms of the contrast of then and now,” she says.

Andrea loves architecture and spent hours looking for an image before narrowing her search to Gastown. “I came across the picture of the Hotel Europe and I knew that was the image I was looking for. It was a statement building that was so interesting in itself, but had enough around it that I could create this fantasy world of then and now coming together.”

She shot the image with a Canon 24mm f/3.5 Tilt Shift—a special lens, she says that is used for shooting architecture. Andrea works as a freelance photographer and her goal is to evolve her business into the wedding photography industry.

Andrea’s photograph and the rest of her classmate’s images are at the City of Vancouver Archives until the end of June. While you’re there don’t forget to pick up a set of 12 cards for $10 that feature the images, and at the same time, feel good about supporting the Creative Arts students at Langara College.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus. 

The Life and Death of the Englesea Lodge (1911-1981)

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Englesea Lodge fire
Englesea Lodge burned to the ground on February 1, 1981. Michael Cox photo

From Vancouver Exposed: Searching for the City’s Hidden History

On Sunday February 1, 1981 shortly before 9:00 a.m., George Wright, a 70-something caretaker was working at the Englesea Lodge when he spotted fire coming from the building’s basement storage area.

“There was a big boom and the fire rushed out at me. It threw me back against the wall,” he told a reporter. Wright barely managed to escape through the rear basement door, but flames were already tearing up through two light shafts and up the elevator shaft and spreading through the floors of the seven-storey apartment building.

Englesea Lodge fire
February 1, 1981. Michael Cox photo

Former Vancouver Fire Department Captain Steve Webb was one of 90 firefighters called out that day to fight the fire with the help of an aerial ladder and 13 trucks. There’s no doubt in his mind that it was arson.

“The fire was not only obviously set in the basement next to the elevator shaft, but the fire ‘operations and command’ was also suspicious to us firefighters. The higher-ups wanted it to burn,” he told me this week. “Soon as we had a good grip on the seat of the fire, we were called out and the fire was allowed to rekindle and spread.”

Englesea Lodge fire
Michael Cox photo, 1981

The fire left a smoke-blackened, gutted building just two days before Vancouver City Council was scheduled to meet and discuss the Englesea’s future.

When I blogged about the 1913 photo of the houses on Beach Avenue last week I hadn’t heard of the Englesea Lodge. Many of you wrote and told me stories about the building and the fire that caused its destruction.

It’s a fascinating story that spans half-a-century—features the parks board as villain, the city as wishy washy and a group called the Save-Englesea Committee who had the radical idea that the building was part of our heritage and could co-exist perfectly well with the shoreline.

The Plan

Around the turn of the century, the water side of Beach Avenue was ringed with more than 30 houses and bookended by the Englesea Lodge and what’s now the Burrard Street Bridge. Some were fine old ivy-covered manors, others were more like Joe Fortes’s sweet little cabin at the foot of Bidwell.

 

Joe Fortes (1863-1922)
Joe Fortes outside his cottage at 1700 Beach Avenue. Vancouver Archives photo

In 1926 the Vancouver Town Planning Commission hired Harland Bartholomew, an American urban planner, to design a blue print for Vancouver’s growth. The 300-plus page book (now online thanks to Vancouver Archives) was the catalyst behind shedding the shoreline of bricks and mortar.

The first part of the plan involved the city expropriating 14 houses to make way for a “pleasure drive” in 1929. But the Depression and then the War got in the way and the houses became rentals for the next two decades.

Over the years the city bought up more properties until the only hold-out was the Englesea Lodge.

Englesea Lodge, Sylvia Hotel and English Bay Pier, 1913. Vancouver Archives

The Fight

The city paid $375,000 for the Englesea in 1967, and the battle to save it began.

Rents from the building had covered its cost by 1975 and supporters argued that future revenue would generate enough for renovations. But in 1979 Council voted to demolish the building anyway, issued eviction notices and locked up suites as they emptied. Later that year, the Englesea received another stay-of-execution when councillors voted 6-5 to delay further eviction notices until they found more justification than the parks board’s whim to destroy the building.

In 1980, the year before the fire, 29 of the 45 apartments remained occupied, and there was talk from the city of investing $1.3 million to turn the building into senior’s housing.

But to the parks board, the building which sat kitty corner from its offices, remained a blight on the shoreline—and their view—and they were determined to bulldoze English Bay back to sand and grass.

Beach Avenue was once ringed by houses from Chilco to Burrard
Englesea Lodge was designed by William White, the same architect who designed the Sylvia Hotel (then the Sylvia Courts Apartments) in 1912. White also designed the Del Mar Hotel on Hamilton Street.

The End

Strangely, the building’s fire alarm didn’t sound when fire broke out, and fortunately no one died in the fire. The parks board got its way, and we lost another charming old heritage building.

The day after the fire, Alderman Don Bellamy—who favoured demolition—told a Province reporter that the fire was “like fate itself has taken hold.”

And then he added:  “It’s a hell of a shallow victory. If we’re going to have our way, I hope to hell we don’t have to fry people to do it.”

For more on the West End see:

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

James Bay – Then and Now

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Old photographs can really tell the story of your house
132 South Turner Street ca.1903

Some of my favourite pictures in Sensational Victoria are the then and now ones in James Bay. There’s a fabulous archival shot of Carr House on Government Street taken in 1869 and a current photo that doesn’t look all that much different—143 years later. Another find is of the Queen Anne house on South Turner Street built in 1889.

Derek Hawksley, a set builder and his wife Maureen MacIntosh a prop builder, moved into this funky James Bay house in 1984. The old house had suffered through some horrible renovations over the years and Derek wanted to see what it originally looked like. “When we bought it, the walls and the floors were all going in different directions. We signed the papers on the table in the living room, and I put down the pen and it rolled right off,” he told me. “We both decided it’s the kind of place you’d want to come home to.”

Skene Lowe and James Hall, two well-known photographers of the era, had built the house as a rental property. Through the city directories Derek found that nearly a hundred people had lived there at one point or another, but mostly they were renters and few stayed for more than five years. The few former residents he located weren’t able to help and there were no archival photos on record. Then one day he found an old photo of his house taken around 1911 and its inhabitants left in his mail box. “The person who was standing on the porch was a gardener at Butchart Gardens where I worked for years and years doing the fireworks, so there was a connection there.”

Over 100 people have lived here over the years
132 South Turner Street

The photo of Derek’s house was given to me by Barb Little. She tells me that her husband’s grandparents (Matthew James Little and Mary Jane (Parsell) Little) lived here for four years following their marriage in 1903. The folks on the porch, she says, are Mary Jane’s brother Robert Parsell, an engineer with BC Cement with his kids Ella May (1899) and Thomas Norman (1900).

Old pictures can really help tell the story of your house. There are thousands of historical photos available through libraries and archives, many are available online. In Vancouver, Special Collections at the VPL has over 90,000 historical photographs. BC Archives has an impressive collection of five million photographs, the City of Vancouver Archives about 1.5 million and most municipal archives also have collections. Don’t just stop at your house address though, check under the name of the house if it had one, the street and names of previous owners. It’s worth checking nearby parks, commercial buildings, hotels, schools and other landmarks as early photographers such as Philip Timms and Leonard Frank used to roam the province shooting streetscapes and may have caught your house.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.