BC Binning

BC Binning’s Missing Murals

by Eve Lazarus on February 5, 2022

BC Binning wasn’t just an important artist; as a teacher, he influenced architects such as Arthur Erickson, Ron Thom and Fred Hollingsworth. Where are his missing murals?

From Vancouver Exposed: Searching for the City’s Hidden History

BC Binning’s mural still decorates the old BC Hydro Building, which was converted into condos in the early 1990s. Doris Fiedrich photo, 2017.

Artist and teacher:

BC Binning wasn’t just an important artist; as a teacher, he influenced architects such as Arthur Erickson, Ron Thom and Fred Hollingsworth. His tiled murals are still outside the BC Hydro building (now the Electra Building) on Burrard Street, as well as in and outside his West Vancouver house which was designated a heritage building in 1999 and a National Historic Site in 2001.

BC Binning’s home, interior mural. Parks Canada photo

Murals:

What you can’t see are the murals that he created for the old Vancouver Public Library on Robson Street, or the 76.2 metre-long mural he created in 1956 to wrap around the CKWX building on Burrard Street. That building was replaced by a 20-storey condo tower just 33 years later.

BC Binning’s mural decorated this building from 1956 until it was demolished in 1989. Selwyn Pullen photo, 1956

The University of British Columbia came up with most of the $8,000 needed to rescue a 7.3 metre section of the CKWX mural, while Andrew Todd, a Vancouver conservator was charged with prying Binning’s blue, green and yellow mosaic off the wall, tile by tile, and placing it on a rolled canvas for storage at UBC. “Oh my god it was tough to save,” Todd told me. “It was an abstract arrangement of one-inch glass tiles from Venice, much like his mural on the BC Hydro Building. And it was huge, maybe 20 feet by 10 feet (six by three metres) in sections.”

The old Vancouver Public Library on Robson. Vancouver Archives photo ca.1972

The saved section of the mural was to be installed on a proposed studio-resources building, which was to house the university’s fine arts program. The building was never built, and the mural has apparently disappeared.

Tags Andrew Todd, Arthur Erickson, BC Binning, BC Hydro building, Electra, Fred Hollingsworth, Ron Thom, Selwyn Pullen; CKWX, Vancouver Exposed

BC Binning’s Secret Mural

by Eve Lazarus on April 10, 2021

The Imperial Bank of Canada opened its new building on April 21, 1958 at Granville and Dunsmuir Streets. It featured this stunning mural by BC Binning. The building is now occupied by a Shoppers Drug Mart, but the mural is still there.

BC Binning’s mural at Shoppers Drug Mart. Eve Lazarus photo, 2020, Vancouver Exposed

From Vancouver Exposed: Searching for the City’s Hidden History

The Mural:

Next time you’re downtown and have a mascara emergency or need some aspirin, drop into the Shoppers Drug Mart at Granville and Dunsmuir. Once you hit the cosmetics area, you might just forget what you came in there for, because opposite the front entrance and right above the gift cards is one of the hidden wonders of Vancouver—a stunning tile mosaic created by legendary artist BC Binning in 1958.

586 Granville Street (at Dunsmuir) built in 1958 featured a mid-century design by McCarter Nairne architects. Eve Lazarus photo, 2020, Vancouver Exposed

Although it’s probably best not to, if you go up to the second floor, you can actually touch one of the 200,000 pieces of Venetian glass that make up this massive mural that dominates the entire length of the wall. Binning, an artist who taught architecture, was commissioned by the Imperial Bank of Canada to celebrate the province’s booming resource-based economy, from hydroelectricity and forestry to shipping and agriculture, with a “key” to help interpret it.

The key to understanding BC Binning’s mural. Courtesy Illustrated Vancouver.

Made in Italy:

Binning spent more than three months in Venice overseeing its preparation. He climbed a ladder a few times each day to look down at the growing tile and marble mosaic for the overall effect. When the greens weren’t as vibrant as he expected, he had the tiles changed. When the mosaic was finished—all 500 square feet of it—it was shipped to Canada in 12 boxes, to be reassembled on the wall like a giant jigsaw puzzle.

McCarter Nairne (the architects behind the Marine Building, Devonshire Hotel, and Georgia Medical and Dental Building, designed the mid-century building which featured terrazzo floors, polished granite and marble columns.

The Bank of Montreal opened a branch at 586 Granville in 1893. The bank moved out in 1925 and the Imperial Bank of Canada moved in (shown here in 1955). It was demolished in 1958 and replaced with the mid-century building. Photo Vancouver Archives 447-333

From Vancouver Exposed: Searching for the City’s Hidden History

Tags 586 Granville Street, BC Binning, Imperial Bank of Commerce, McCarter Nairne, Selwyn Pullan

West Coast Modern Architecture

by Eve Lazarus on June 15, 2018

There is a chapter in Sensational Vancouver called West Coast Modern which explains the connections between artists and architects and the West Coast Modern movement in Vancouver.

Last week I wrote about Selwyn Pullan’s photography exhibition currently on display at the West Vancouver Museum. I focused on his shots of West Coast Modern houses now almost all obliterated from the landscape.

But Selwyn also did a lot of commercial photography and one of his largest clients was Thompson Berwick Pratt, the architecture firm headed up by Ned Pratt who hired and mentored some of our most influential West Coast Modern architects. Arthur Erickson, Ron Thom, Paul Merrick, Barry Downs and Fred Hollingsworth all cut their teeth at TBP, and BC Binning consulted on much of the art that went along with the buildings.

BC Electric from the back cover of Sensational Vancouver. Courtesy Selwyn Pullan, 1957.

Ned Pratt’s crowning achievement was winning the commission to design the BC Electric building on Burrard Street—a game changer in the early 1950s. While the building is still there, now dwarfed by glass towers and repurposed into the Electra—a few of the firm’s other creations are long gone.

There was the Clarke Simpkins car dealership built in 1963 on West Georgia that demonstrated Vancouver’s growing fascination with neon.

CKWX (News 1130) building designed at 1275 Burrard in 1956, demolished 1989. Replaced by The Ellington. Selwyn Pullan photo 1956

Our love for neon also showed up in the former CKWX headquarters at 1275 Burrard Street. According to the Modern Movement Architecture in BC (MOMO) the building won the Massey Silver Medal in 1958. “This skylit concrete bunker was home to one of Vancouver’s major radio stations until the late 1980s. The glassed-in entrance showcased wall mosaics by BC Binning, their blue-gray tile patterns symbolizing the electronic gathering and transmission of information.”

The building is long gone, replaced by a 20-storey condo building called The Ellington in 1990.

The Ritz Hotel at 1040 West Georgia was originally a 1912 apartment building. It was remodeled into a hotel when this photo was taken in 1956 and demolished in 1982. It was replaced by the 22-storey hideous gold Grosvenor building. Selwyn Pullan photo

I wonder what happened to the murals?

The Exhibition runs until July 14.

Top photo: Clarke Simpkins Dealership, 1345 West Georgia. Built 1963, demolished 1993. Selwyn Pullan photo, 1963.

Tags Arthur Erickson, Barry Downs, BC Binning, BC Electric Building, CKWX, Clarke Simpkins, Electra, Fred Hollingsworth, Ned Pratt, Paul Merrick, Ron Thom, Selwyn Pullan, Thompson Berwick Pratt, West Vancouver Museum

Ned Pratt’s West Coast Modern House

by Eve Lazarus on October 6, 2013

Peter Pratt renovated and restored the house his father designed in 1953

I spent the afternoon with architect Peter Pratt at his home in the British Properties yesterday. Peter’s father Ned Pratt designed the house in the early 1950s and lived there for most of his life. You’ve likely never heard of Ned Pratt, I hadn’t until recently, and I find that really interesting because he may just be the most important architect to come out of Vancouver. Pratt was a principal at Thompson, Berwick, Pratt and he hired and mentored some of the most influential architects of the time. Arthur Erickson, Ron Thom, Paul Merrick, Barry Downs, Fred Hollingsworth, and artist BC Binning, all worked there at one point.

It was Pratt who designed the BC Electric building (BC Hydro) on Burrard Street and the Dal Grauer Substation next door, both game changers in architectural design in those early ‘50s. Binning did the murals for the building and Pratt helped Binning build his West Vancouver home—the house credited for kick starting the West Coast modern movement in BC.

“Pratt convinced BC Electric that a local firm with no experience in skyscraper design could handle the monumental task,” wrote architectural critic Robin Ward, in Pratt’s 1996 obituary. The drawings alone, if spread out would have covered five city blocks, noted Ward.

Mural designed by Ned Pratt and Ron Thom

When Peter took over the one-acre property and his childhood home, the house had started to leak and rot. “I don’t know how many times I heard ‘it’s a tear down Pratt, you can’t save it,” he said. “This is our home, it’s not so much an asset, it’s our home. It has a sense of place.”

Against all advice he decided to save what he could and restore it, keeping features such as a mural that Pratt and Ron Thom made from fiberglass and paper. Peter has moved walls around, taken out rooms, added skylights and put cork on the floors. He added bench seats out of reclaimed wood from the Pantages Theatre to go with a table his dad built.

Then Peter built his own post and beam home right next door. One side of the newer house is sheer glass and opens up onto the garden and a large water feature filled with fish. A courtyard connects the two houses and there are angles everywhere you look that give hints of what’s to come, what Peter calls “a process of discovery” that’s characteristic of these West Coast modern homes.

Ned’s house is 1,200 sq.ft. Peter’s is only slightly larger. Both are a nod to simplicity and scale and the importance of landscape. Proof that we don’t have to rip down these beautiful houses because they don’t fill out the lot.

View from Ned Pratt's living room — View from Ned Pratt’s living room

Tags Arthur Erickson, Barry Downs, BC Binning, Fred Hollingsworth, Ned Pratt, Paul Merrick, Peter Pratt, Ron Thom, Thompson Berwick Pratt

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