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Cathedral Place

Finding the Rhea Sisters  

by Eve Lazarus on March 17, 2018
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Courtesy Ital Decor

From Vancouver Exposed: Searching for the City’s Hidden History

I was driving along Hastings the other day when I saw a huge statue in the yard of Ital Decor in Burnaby. It looked suspiciously like one of the WW1 nurses that guarded the 10th floor of the Georgia Medical-Dental Building before it was imploded in 1989.

Mario Tinucci of Ital Décor, says the one in his yard is a fibreglass version that he cast from an original nurse, and made in 1990. It was the first of four that were replicated—the other three are attached to Cathedral Place, the Paul Merrick-designed tower that replaced the GM-DB.

The three “Sisters of Mercy” were affectionately known as the Rhea Sisters—Gono, Pyor and Dia.

Ital Decor , 6886 Hastings Street, Burnaby

According to newspaper articles, the eleven-foot-high terra cotta nurses, designed by Joseph Francis Watson, weighed several tonnes each and were in rough shape when they came down. The cost to fix them was upwards of $70,000 each.

Instead, developer Ron Shon donated all three to the Vancouver Heritage Foundation. He also donated some of the terra cotta animals, spandrel panels and chevron mouldings from the main entrance, and the secondary arch (the main one is in the Bill Reid Gallery which is currently closed for renovations).

Photo courtesy Ital Decor

In 1992, the VHF had their first fundraiser at the Museum of Vancouver’s parking lot and sold off pieces of the GM-DB’s terra cotta.

Maurice Guibord, who was manager of community affairs for the MoV, paid $100 for a piece of the archway, now in his garden, and which came with Certificate of Authenticity #92.

The VHF donated one of the nurses to the MoV in 2000, and later sold the two original nurses to Discovery Parks at UBC.

Nurses on the Technology Enterprise Facility Building at UBC. Courtesy UBC

Wendy Nichols, curator of collections at the MoV, says their nurse is at UBC on a long-term loan agreement. I’m told all three original nurses are attached to the Technology Enterprise Facility 111 building completed in 2003, although only two are visible in this photo.

I never saw the GM-DB, and neither did Maurice, but on Thursday he, Tom Carter and I took a field trip to Cathedral Place. Tom prefers Cathedral Place to the original art deco building because he says the back was unfinished, and the building was only ever designed to be viewed from the front.

Maurice and Tom inside the Cathedral building with the mystery head

Robin Ward described the GM-DB’s “Mayan/Hollywood style lobby” in 1988. “It’s like a film set for a bank robbery in Mexico City,” he wrote.

I get what he means. The lobby in Cathedral Place is very similar to the Marine Building complete with brass doors on the elevators. (The Marine Building and the GM-DB were both designed by McCarter and Nairne architects).

The Hotel Vancouver from the courtyard. Cathedral Place on the left, Christ Church Cathedral on the right. Eve Lazarus photo.

It’s easy to appreciate Merrick’s skill when you get into the monastery-like courtyard that joins Cathedral Place to Christ Church Cathedral and the Bill Reid Gallery. He has used a similar CP Hotel-style roof to complement the Hotel Vancouver’s copper lid, and gothic touches and cloisters to connect the buildings together.

Now the questions remain:

    • Is the head that is displayed at Cathedral Place terra cotta or fibreglass (we couldn’t tell) and where did it come from? (There were three original nurses that are now at UBC and four fibreglass moulds—three are attached to Cathedral Place and one is at Ital Décor)
    • What is the connection between the Technology Enterprise Facility Building and BC’s nursing history?
The Georgia Medical-Dental Building in 1973. CourtesyCVA 65-2

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

The Georgia Medical-Dental Building

by Eve Lazarus on May 27, 2017
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On May 28, 1989, we blew up the Georgia Medical-Dental Centre, a building on West Georgia designed by McCarter & Nairne, the same architects behind the Marine and the Devonshire Apartments.* What were we thinking?

The Devonshire was first, designed as an apartment building in 1924. Next came the 15-storey art deco medical building. The Marine Building was completed in 1930—the only one left standing.

 

Leonard Frank Photo, 1929
Leonard Frank photo in 1929 showing the Georgia Medical-Dental Building under construction, next to the Devonshire and the Georgia Hotel.
What were we thinking?

As this more recent photo shows, the HSBC Building now sits where the elegant Devonshire Hotel used to be. The GMDB was blown up or perhaps blown down is more accurate—to make way for the twenty-three-storey Cathedral Place.

Cathedral Place replaced the Georgia Medical Dental Building

Paul Merrick, designed Cathedral Place, renovated the Marine Building, the Orpheum Theatre, and converted the old BC Hydro Building to the Electra. I quite like Cathedral Place. It’s nicely tiered, the roof fits in with the Hotel Vancouver across the street, and it even has a few nurses, gargoyles and lions pasted about as a reminder of the former building. Everyone over 35 likely remembers the three nurses in their starchy World War 1 uniforms looking down from their 11th storey parapets. Known as the Rhea Sisters, the terra-cotta statues weighed several tonnes each. Later restored, the nurses are part of the Technology Enterprise Facility building at UBC.

But here’s a thought. Instead of honouring a heritage building by sticking fibreglass casts on a new building, why not keep the original one! The Georgia Medical-Dental Building was only sixty after all—hardly old enough for its unseemly demise, but old enough to represent a significant part of our history.

Cathedral Place designed by Paul Merrick
Fibre glass nurse at Cathedral Place
The Devonshire:

I never saw the Devonshire, but I love one of its stories. According to newspaper reports, after being kicked out of the snotty Hotel Vancouver in 1951, Louis Armstrong and his All Stars walked across the street and stayed at the Devonshire. Walter Fred Evans, a one-time member of the Vancouver Symphony Orchestra built the Devonshire, and supposedly Duke Ellington, Lena Horne and the Mills Brothers wouldn’t stay anywhere else.

The Devonshire Hotel, West Georgia, CVA LGN 1060 ca.1925

* McCarter & Nairne also designed the Patricia Hotel, 403 East Hastings; Spencer’s Department Store (now SFU at Harbour Centre); the Livestock Building at the PNE, and the General Post Office on West Georgia.

For more posts see: Our Missing Heritage

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

The Orpheum Theatre and a conversation with Paul Merrick

by Eve Lazarus on August 23, 2014
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Dan Rickard photo. www.danrickard.ca

Dan Rickard photography

A couple of weeks ago, Judy Graves, Tom Carter and I took a behind-the-scenes tour of the Orpheum Theatre.

The “new” Orpheum was designed in 1927 by Marcus Priteca, a Seattle-based architect who fashioned the theatre in a Spanish renaissance style and gave it an opulent air with some sleight of hand tricks.

For instance, if you tap on a colonnade it’s hollow, made from precast plaster. The ornate Baroque ceiling is made from plaster and chicken wire.

Priteca introduced a range of different influences including Italian-inspired terrazzo floors and travertine walls, crests of British heraldry and 145 Czechoslovakian crystal chandeliers.

Judy Graves photo
Judy Graves photo

We got to climb up on a catwalk way above the domed ceiling, visit the projection booth—and we went up on the stage—the same one where Jack Benny and W.C. Fields once performed.

Tom played the original organ.

I didn’t realize how close we came to losing the theatre. In 1973 Famous Players wanted to replace the Orpheum with a Multiplex cinema and it sparked off what was probably the biggest heritage protest in Vancouver’s history. City Hall received 8,000 letters from angry citizens and petitions with thousands of signatures. Ivan Ackery, the Orpheum’s long-time manager bounced back from retirement and joined impresario Hugh Pickett to stage a benefit concert.

The City bought the Orpheum for $3.9 million and poured another $3.2 million into a renovation by Paul Merrick, the same architect who designed Cathedral Place, renovated the Marine Building and converted the BC Electric building into the Electra.

“The Orpheum is a good example of a building that has begged, borrowed and stolen characteristics from all over the world,” Merrick told me. “There’s a dozen different styles going on top of each other, from Spanish to late Edwardian to who knows what, it was just a case of playing some more with it.”

Merrick said the Orpheum was one of “the earliest large adaptive reuse projects” and was more extensive then it appears because the whole of the Vaudeville stage entrance was taken out and redone using a larger version of Priteca’s original design to accommodate a 100-plus orchestra.

“Adapting buildings involves paying all the respect and every respect you can to what it is and what it was and why it’s worth taking trouble with, but that doesn’t mean being stultified or precious about it,” he said. “The focus of architecture is to make a building and when it’s all said and done, buildings need to be objects of utility, to service the people’s uses and needs inside them. They are there to provide shelter, but they are also concerned with affording delight. I always thought if you could make pieces of the city—which is all a building is just another piece of the city—if we can make an environment that we’re happy to leave to our descendants, then that’s as good as you can do.”

VPL 11034, 1928
VPL 11034, 1928

 

 

Our Missing Heritage — What were we thinking? (Part 1)

by Eve Lazarus on September 8, 2013
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The Marine Building is one of Vancouver’s most treasured buildings, a gorgeous example of Art Deco. So why did we destroy our other one? 

From Vancouver Exposed: Searching for the City’s Hidden History

The Devonshire Apartments, the Georgia Medical-Dental Building and the Marine Building were all designed by McCarter & Nairne architects.* The Devonshire was first, designed as an apartment building in 1923. Next came the 15-storey Art Deco medical building—and the only one left standing—the Marine Building completed in 1930.

Leonard Frank Photo, 1929
Leonard Frank photo in 1929 showing the Georgia Medical-Dental Building under construction, next to the Devonshire and the Georgia Hotel.

As this more recent photo shows, the HSBC Building now sits where the elegant Devonshire Hotel used to be, and the medical building was blown up or perhaps blown down is more accurate—to make way for the 23-storey Cathedral Place.

I quite like Cathedral Place. It’s nicely tiered, the roof fits in with the Hotel Vancouver across the street, and it even has a few nurses, gargoyles and lions pasted about as a reminder of the former building. Everyone over 35 likely remembers the three nurses in their starchy World War 1 uniforms looking down from their 11th storey parapets. The Rhea Sisters, as they were known, were made from terra-cotta and weighed several tonnes each. The nurses were restored and are now part of the Technology Enterprise Facility building at UBC.

Cathedral Place designed by Paul Merrick
Fibre glass nurse at Cathedral Place

But here’s a thought. Instead of honouring a heritage building by sticking fibreglass casts on a new building, why not just keep the original one!

Paul Merrick, the architect who designed Cathedral Place, and who did such a nice job renovating the Marine Building, converting the old BC Hydro Building to the Electra, and fixing up the Pennsylvania Hotel on Hastings, could have easily designed Cathedral Place someplace else. The Georgia Medical-Dental Building was only 60 after all—hardly old enough for its unseemly demise, but old enough to represent a significant part of our history.

I never saw the Devonshire, it came down in 1981, but I love one of its story. According to newspaper reports after being kicked out of the snotty Hotel Vancouver in 1951, Louis Armstrong and his All Stars walked across the street and were immediately given rooms in the Devonshire. Walter Fred Evans, a one-time member of the Vancouver Symphony Orchestra built the Devonshire, and supposedly Duke Ellington, Lena Horne and the Mills Brothers wouldn’t stay anywhere else.

* McCarter & Nairne also designed the Patricia Hotel, 403 East Hastings; Spencer’s Department Store (now SFU at Harbour Centre); the Livestock Building at the PNE, and the General Post Office on West Georgia.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Our Missing Heritage is an ongoing series. Please also see:

Our Missing Heritage (part two) Mid Century Modern North Vancouver

Our Missing Heritage (part three) The Empress Theatre

Our Missing Heritage (part four) The Strand Theatre, Birks Building and the second Hotel Vancouver

Our Missing Heritage (part five) The Hastings Street Theatre District

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