Every Place Has a Story

Behind the Wall at the Hotel Vancouver

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Beatrice Lennie created a mural for the Hotel Vancouver’s lobby in 1939. It’s been hidden behind a wall since 1967. This story is from Vancouver Exposed: Searching for the City’s Hidden History

Beatrice Lennie's missing mural from the Hotel Vancouver
Beatrice Lennie in her studios in the 1940s. Vancouver Archives photo
Beatrice Lennie:

When Beatrice Lennie graduated from the first class at the Vancouver School of Decorative and Applied Arts (now Emily Carr University of Art + Design) in 1929, it took four piano movers to shift her diploma piece. She called it “Spirit of Mining.”

Beatrice (1905-1987) studied under Fred Varley, JWG Macdonald and Charles Marega. In 1975, she told a Province reporter that Marega had sculpted a Queen Anne ceiling for her family’s Shaughnessy home on Matthews Avenue around 1910. “It was a large decorative oval with high relief of laurel. Our ceiling was much more beautiful than Hycroft or Alvo von Alvensleben’s,” she said. “I was just a little girl when our house was built but I can vaguely remember the ceiling all coming in pieces.”

Beatrice Lennie's missing mural from the Hotel Vancouver
Ascension, Hotel Vancouver, courtesy Vancouver Public Library, 1939
Studying sculpture:

Beatrice was the daughter of R.S. Lennie, a barrister who headed up the Lennie Commission—an enquiry into corruption in the Vancouver Police Department in 1928. Her wealthy family was horrified by her chosen career, and she received little emotional or financial support from them. “If I’d been a singer, they’d have sent me to Italy,” she told the Province. “Sculpture was not respectable or ladylike. Singing was acceptable but a woman’s place was in the home. There was terrible discrimination. Women had to be better than men. For one job I was on the scaffold at eight in the morning. I came down and just dropped in the evening. I had to prove something.”

Clydemont Centre, 307 West Broadway, 1978. Courtesy Vancouver Archives
Hotel Vancouver Commission:

In 1939, the Canadian National Railway commissioned Beatrice to create a 3.7 metre sculpture on the main floor of the new Hotel Vancouver. Called Ascension, it was finished in blue steel, brass and chromium. But when the hotel renovated the lobby in 1967, Beatrice’s sculpture and two elevators were left on the wrong side of the new wall. “I used to think sculpture would outlive you, but they bordered up one of mine,” she said eight years later. “They covered it with a wooden wall when they lowered the ceiling. It’s discouraging in one’s own lifetime.”

While you won’t be able to catch a glimpse of Ascension until the next Hotel Vancouver lobby renovation, you can see some of Beatrice’s work around Vancouver.

The Clydemont Centre, 307 West Broadway. Commissioned in 1949 when the building was the Vancouver Labour Temple.

Asclepius, 1951 at 1807 West 10th Avenue. Leonard Frank photo via City of Vancouver

Beatrice’s reliefs were originally at the entrance to the former Shaughnessy Hospital in 1940 when it was built as a health facility for World War 11 veterans. It’s now in the courtyard off the cafeteria at 4500 Oak Street.

Originally the College of Physicians and Surgeons of BC at 1807 West 10th Avenue, Beatrice created Asclepius in 1951. In Greek mythology, Asclepius is the god of healing and medicine.

Beatrice Lennie's missing mural from the Hotel Vancouver
The wall in the Hotel Vancouver’s lobby that hides Beatrice Lennie’s mural. Photo courtesy Murray Maise, 2017
Sources:

Province, February 28, 1975

Province, August 1, 1975

Murray Maisey, Vancouver as it Was: A Photo History Journey blog

John Steil and Aileen Stalker, Public Art in Vancouver: Angels Among Lions. Victoria: Touchwood Editions, 2009

Eve Lazarus, Vancouver Exposed: Searching for the City’s Hidden History, Arsenal Pulp Press, 2020

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

The Man who Blew up the Courthouse Lion

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It’s been nearly 75 years, but I’m confident that the mystery of who blew up one of the courthouse lions in 1942 has now been solved. No one will be charged for this crime, but it’s thanks to a reader—we’ll call him Dave. It was his grandfather who made a bang loud enough that Vancouverites thought the Japanese were invading the city.

The lions were created by Scottish sculptor John Bruce in 1910. This 2021 photo by Tom Carter clearly shows the split.
Blast rocks city:

According to the Vancouver Sun, the explosions could be heard as far away as Point Grey. The blasts rocked the city centre, smashing more than 70 windows at the Hotel Vancouver, the Devonshire, the Georgia Hotel and the courthouse.

The first explosion came at 9:37 pm and blew off the hind quarters of the lion on the right of the door. A second explosion quickly followed, and filled the air with flying chunks of granite.

Vancouver Sun, November 4, 1942
Inspector JFCB Vance:

Inspector JFCB Vance of the Vancouver Police Department (and my podcast and book Blood, Sweat, and Fear) was called in to examine the fuse and wire. Vance found that dynamite ‘time bombs’ were placed one on each side of the lion. The wire was likely used to bind the sticks of dynamite together.

There were no reports of stolen dynamite, and police told the public that they believed the dynamiter was a crank. His crime called “an isolated incident of vandalism.”

Dave is sure that the “crank” was his Grandfather, Carl Schmidt. Carl was born in Germany in 1869, received a degree in engineering from the University of Heidelberg, married and had a son. When his wife died, Carl immigrated to Canada. He met Dave’s grandmother Ruth McKibbon in Vancouver and they married in 1909.

Family Secret:

Witnesses saw a short man running down the stairs just after the explosion. Carl, who stood about 5 foot 5, died four years later at age 77. It was before Dave was born, but the details have been passed down through the family. It’s become one of those known but rarely talked about family secrets. “I’m the only one left who has all the details of the story,” he says.

According to John Atkin, the lions were not modeled on the lions in Trafalgar Square as widely reported, but from photos and measurements taken of some circus lions that visited Vancouver in 1908. You can clearly see where the lion was put back together and the discoloration between the two parts in this photo by John Atkin.

The details are sketchy, but Dave says his grandfather was implicated in a plot to blow up a bridge in Seattle at the start of World War 1. He and his wife and two small daughters relocated to Calgary—away from the coast and presumably other German sympathizers.

Things did not go well for Carl. He struggled to find work, and his son who fought for Germany, was killed in WW1.

Anti-German sentiment:

The family moved back to Vancouver in the early 1920s, and soon after their marriage collapsed. By 1939, Carl had moved into a room on East Cordova Street. Anti-German sentiment would have been high in 1942, and the lion—a symbol of British justice and imperialism was an obvious target.

The second Hotel Vancouver shown left of frame was still standing in 1942. Vancouver Archives photo, ca.1920

“When you look at his life there was a lot of promise there and it all just fizzled out. He may have thought by 1942 this is my last point where I can make a statement or whatever he was trying to do and figured out how to do it,” says Dave. “Even though I’m his grandson and there’s nothing to be proud about, you can see why he would have a lot of resentment.”

Fortunately no one was hurt in the incident. John Atkin’s writes that the cost to repair the damages from the blast was $5,000 (a whopping $80,000 in today’s dollars). You can still see the split in the lion.

Carl is buried in the Mountain View Cemetery.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Our Missing Heritage — What were we thinking? (Part 1)

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The Marine Building is one of Vancouver’s most treasured buildings, a gorgeous example of Art Deco. So why did we destroy our other one? 

From Vancouver Exposed: Searching for the City’s Hidden History

The Devonshire Apartments, the Georgia Medical-Dental Building and the Marine Building were all designed by McCarter & Nairne architects.* The Devonshire was first, designed as an apartment building in 1923. Next came the 15-storey Art Deco medical building—and the only one left standing—the Marine Building completed in 1930.

Leonard Frank Photo, 1929
Leonard Frank photo in 1929 showing the Georgia Medical-Dental Building under construction, next to the Devonshire and the Georgia Hotel.

As this more recent photo shows, the HSBC Building now sits where the elegant Devonshire Hotel used to be, and the medical building was blown up or perhaps blown down is more accurate—to make way for the 23-storey Cathedral Place.

I quite like Cathedral Place. It’s nicely tiered, the roof fits in with the Hotel Vancouver across the street, and it even has a few nurses, gargoyles and lions pasted about as a reminder of the former building. Everyone over 35 likely remembers the three nurses in their starchy World War 1 uniforms looking down from their 11th storey parapets. The Rhea Sisters, as they were known, were made from terra-cotta and weighed several tonnes each. The nurses were restored and are now part of the Technology Enterprise Facility building at UBC.

Cathedral Place designed by Paul Merrick
Fibre glass nurse at Cathedral Place

But here’s a thought. Instead of honouring a heritage building by sticking fibreglass casts on a new building, why not just keep the original one!

Paul Merrick, the architect who designed Cathedral Place, and who did such a nice job renovating the Marine Building, converting the old BC Hydro Building to the Electra, and fixing up the Pennsylvania Hotel on Hastings, could have easily designed Cathedral Place someplace else. The Georgia Medical-Dental Building was only 60 after all—hardly old enough for its unseemly demise, but old enough to represent a significant part of our history.

I never saw the Devonshire, it came down in 1981, but I love one of its story. According to newspaper reports after being kicked out of the snotty Hotel Vancouver in 1951, Louis Armstrong and his All Stars walked across the street and were immediately given rooms in the Devonshire. Walter Fred Evans, a one-time member of the Vancouver Symphony Orchestra built the Devonshire, and supposedly Duke Ellington, Lena Horne and the Mills Brothers wouldn’t stay anywhere else.

* McCarter & Nairne also designed the Patricia Hotel, 403 East Hastings; Spencer’s Department Store (now SFU at Harbour Centre); the Livestock Building at the PNE, and the General Post Office on West Georgia.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Our Missing Heritage is an ongoing series. Please also see:

Our Missing Heritage (part two) Mid Century Modern North Vancouver

Our Missing Heritage (part three) The Empress Theatre

Our Missing Heritage (part four) The Strand Theatre, Birks Building and the second Hotel Vancouver

Our Missing Heritage (part five) The Hastings Street Theatre District