Halloween is my favourite unofficial holiday of the year, so it was especially rewarding to end Season 2 of Cold Case Canada with a Halloween Special. I reached out to five fabulous story tellers to tell me their favourite ghost stories—stories that take place in some of Metro Vancouver’s oldest neighbourhoods.
Beneath Dark Waters: The Legacy of the Empress of Ireland Shipwreck by Eve Lazarus, coming April 2025. Preorder through Arsenal Pulp Press, or your favourite indie bookstore
The Chinatown Ghost:
Will Woods, founder and chief storyteller at Forbidden Vancouver Walking Tours tells us about his encounter with the Chinatown ghost. He also tell us what to expect on the Lost Souls of Gastown Tour including the unsolved murder of John Bray.
East Georgia Street Murder:
Bill Allman is president of the BC Entertainment Hall of Fame, owner of Famous Artist Limited and a recovering Vancouver lawyer. He tells us about the ghost that haunted an East Georgia Street house after a violent shooting and murder of Vancouver police chief in 1917.
Haunted Piano:
Tom Carter is a Vancouver artist, historian and musician who shares his Vancouver loft with a haunted piano.
Chinatown Nightclub:
When Tom was researching the Mandarin Garden (1936-1952) for his gorgeous painting, he found that the Chinatown nightclub was once owned by Chan See Wong Fong. After he died on the premises, staff began experiencing strange things. They heard voices, taps turned on by themselves, electrical devices became unplugged and there was a disembodied hand.
Fort Langley Cemetery:
Aman Johal is a heritage interpreter at Fort Langley National Historic Site and he’s a storyteller for Forbidden Vancouver Walking Tours. You can catch Aman live guiding the Grave Tale Walking tour between October 15 and November 7 and visit William Henry Emptage’s and his wife Louisa’s gravesites.
Riverview Hospital for the criminally insane:
Greg Mansfield is the author of Ghosts of Vancouver, the website and book. He takes us to Riverview Hospital in Coquitlam, a now abandoned former asylum for the criminally insane.
For more ghostly stories check out these podcast episodes:
In the Halloween Special 2020, we visit the Vogue Theatre, and includes stories of haunted grain elevators, a Chilliwack manor and a once “occupied” house in James Bay, Victoria.
Bill Allman, a very sane, “recovering” lawyer and promoter, talks about his experience with the Vogue Theatre ghost when he managed the venue back in the ‘90s. David Sampson, an inspector with the Canadian Grain Commission, tells us about his first-hand experience with the 1975 grain elevator fire that killed five men and created one ghost; while Liisa Rowat, talks about her experience as a nurse in the burn unit at Vancouver General Hospital following the explosion that was seen and heard all over the North Shore and Vancouver.
Haunted Victoria:
And, while three of the stories took place in Metro Vancouver, it just seemed wrong not to include a story from Victoria, the most haunted city in British Columbia, if not the entire country. When I was writing Sensational Victoria (2012) I would drop around to various heritage houses to talk to their current owners about architects or gardens or fascinating women who had lived in their houses.
Invariably I’d be asked “Are you here to talk about the ghost?” People who live in Victoria really embrace their ghosts! It’s a much harder slog here in Vancouver, where we’re terrified that having a ghost may bring down the price of our real estate. So much so, that a couple of years ago I wrote a blog post called How Not to Buy a Murder House.
Beneath Dark Waters: The Legacy of the Empress of Ireland Shipwreck by Eve Lazarus, coming April 2025. Preorder through Arsenal Pulp Press, or your favourite indie bookstore
Have you had a harrowing encounter with a ghost? Let me know, and it may just end up in next year’s Halloween Special.
For more ghostly stories check out these podcast episodes:
A couple of weeks ago Bill Allman, Tom Carter and I were sipping martinis and discussing bits of history that have been saved from the dumpster. The subject of the rescued lights from the Orpheum Theatre came up, and next thing he knew, Bill had agreed to write this blog.
By Bill Allman
Deep in a haunted basement on West Cordova, below Vancouver curio shop, Salmagundi West, lay a collection of vintage stage lights. I blew the dust off one marked TUTS (for
Theatre Under the Stars) and marveled at the antique design. “There are more.” said my friend – theatre historian and painter extraordinaire, Tom Carter. “Where?” I asked. “The Orpheum. A whole collection. All signed by different stars.”
I let out a low whistle. We emerged from the cavernous cellar, went to the Sylvia Hotel for a drink (or three), and decided that we HAD to see the Orpheum’s treasure trove.
Tom and I were organizing a gala fundraiser and auction for the Friends of the Vancouver Archives to benefit the Hugh Pickett Collection. But that’s another story. This one is about lights – stage lights that had illuminated shows for hundreds of thousands of people.
I am fascinated by objects from great performances by famous people. “Screen used” props, and dog-eared shooting scripts are the only ones I care about; likewise, any piece of stage memorabilia with a genuine connection to a gifted artist. So, when we got access to the Orpheum’s cache of autographed lights, AND a very generous donation from the B.C. Entertainment Hall of Fame of three of those lights for our auction, we were in seventh heaven.
There we were, crouched in a room in the Orpheum hidden from public view and illuminated only by a flickering Radio Shack strobe light bouncing off the walls and the tinsel curtain that covered the racks of antique Leko lights. As quickly as we could read the names, we’d call them out with schoolyard excitement. “Tina Turner!”, “Michael Buble!”, “Ray Charles!”. Then we found the three we wanted for the auction – artists that Hugh had presented at one time or another: “Tony Bennett!”, “Victor Borge!”, “And here’s a friend of mine – Jeff Hyslop!”
The lights had almost been lost to time and the dumpster. Another near-tragedy of Vancouver’s urge to purge its past. But eyes that were keen and hearts that long to preserve and celebrate our city’s culture had intervened. The three lights that sold went to homes where their rich history would be appreciated. And the remainder? They rest in a secret room in a famous theatre. And the day will come when they are displayed and perhaps even researched by top people.
Who?
Top people.
Bill Allman is a “recovering lawyer” and instructor of Entertainment Law at UBC. Bill has been a theatre manager (the Vogue), president of Theatre Under the Stars, and a concert promoter and theatre producer through his company, Famous Artists Limited. He is no longer willing to move your piano.
This is an ongoing series that asks people who love history and heritage to tell us their favourite existing building and the one that never should have been torn down.
Bill Allman is a “recovering lawyer” and instructor of Entertainment Law at UBC. Bill has been a theatre manager (the Vogue), president of Theatre Under the Stars, and a concert promoter through his company, Famous Artists Limited. He is no longer willing to move your piano.
Favourite existing building: The Jericho Sailing Club because the main club building, along with the hostel, Jericho Arts Centre and the City works yard, is the only remaining structure from the RCAF Station Jericho Beach. In its latter years, the RCAF Station was home to several army units including 156 Company Royal Canadian Army Service Corps. That was my father, Major Arthur Allman’s unit. Dad’s office was housed in one of four massive hangers that stood on the site until the ’90s. It was in one of those hangars that, as the young child of a Militia officer, I sat on the knee of my very first Santa Claus and I played on the private DND-owned beach. I learned to swim in the ocean water outside what is now the Sailing Club.
The building that should never have been torn down: I want my opera house back. The Vancouver Opera House, opened in 1891 and hosted a wide variety of “legitimate” dramas as well as vaudeville and music; but not much opera. The theatre was elegantly appointed and intended by the CPR to add to Vancouver’s status as a world class city. Over the years, the theatre often changed hands and, after a complete renovation in 1913, had a life as the “New Orpheum.”. The old Vancouver Opera House survived until 1969 when they ripped it down in favour of that effing Pacific Centre Mall. Nothing says “culture” like a shoe sale.
Kristin Hardie is the curator for the Vancouver Police Museum.
Favourite existing building: I can’t help but choose 240 East Cordova, now the home of the Vancouver Police Museum and once the Coroner’s Services and the City Analyst Laboratory. Built in 1932, it was the last project architect Arthur J. Bird worked on in Vancouver. Fitting that he ended his career with the Morgue, no? The two-story building is made up of a wonderful mixture of classic Georgian Revival and Art Deco styles . The original design elements inside include the Georgian banister up the front stairs and the unique arched wooden roof in what was once the courtroom—oh and not to mention the actual rooms and autopsy tables used by the pathologist and the Coroner’s Services during 50 years of death investigations.
The building that should never have been torn down: The City Hall on Westminster (now Main) street was a robust turreted building that acted as Vancouver’s municipal and political hub for 30 years. It was built in 1890 to house a market on the lower level and a community gathering space above. It became City Hall eight years later. I love that it was nestled deep within the bustling east side neighbourhood–the busiest part of the city before big businesses started to move downtown. There, it was accessible and stood face-to-face with the regular people of the city. That in-and-of-itself should have guaranteed its longevity. I mean really, who tears down their own City Hall? The wrecking ball came in 1958 and in its place is a squat, single story brick eyesore.
Pamela Post is an award-winning Vancouver journalist, broadcaster and part-time journalism instructor/mentor at Langara College. She was born in the West End and now lives next door to the Sylvia Hotel.
Favourite existing building: This stately brick and terracotta building stands proudly as a vestige of a long-vanished Vancouver. Designed by architect William P. White and built in 1912 as an apartment building before being converted to a hotel in 1936, it’s named for the owner’s daughter Sylvia Goldstein. GM Ross Dyck tells me that in the autumn, the hotel used to get calls from the Coast Guard station in Kitsilano, saying boaters in English Bay were confusing the bright reds and yellows of the vine with a building on fire. The same family has owned the Sylvia since 1960 and steadfastly celebrated its heritage while regularly refusing lucrative offers to sell. A family recently celebrated its fifth generation of family members married at the Sylvia. The first was a young soldier, heading off to war in 1914. I often say to my friends ‘ahh, the Sylvia Hotel – where it’s always 1947.’
The building that should never have been torn down: The Englesea Lodge which once sat on Beach Avenue, was also designed by the same architect as the Sylvia Hotel in 1911. Throughout the ‘70s, the seven-storey building was a pawn in a civic battleroyale between the Vancouver Park Board that viewed it as an ‘eyesore and blight’ at the entrance to Stanley Park, and a city council which was facing a severe housing shortage (sound familiar?) and pressure from the heritage-loving ‘Save the Englesea’ movement. The latter which proposed a rent-controlled residence for seniors with a tea/coffee house and educational facility in the lobby. In the end arson took care of the problem and the Englesea was removed from the landscape in 1981.