Every Place Has a Story

Halloween Special 2021

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Halloween is my favourite unofficial holiday of the year, so it was especially rewarding to end Season 2 of Cold Case Canada with a Halloween Special. I reached out to five fabulous story tellers to tell me their favourite ghost stories—stories that take place in some of Metro Vancouver’s oldest neighbourhoods.

Will Woods, courtesy Forbidden Vancouver Walking Tours
The Chinatown Ghost:

Will Woods, founder and chief storyteller at Forbidden Vancouver Walking Tours tells us about his encounter with the Chinatown ghost. He also tell us what to expect on the Lost Souls of Gastown Tour including the unsolved murder of John Bray.

Bill Allman is the former theatre manager at the Vogue, one of Vancouver’s most haunted venues. Tom Carter photo.
East Georgia Street Murder:

Bill Allman is president of the BC Entertainment Hall of Fame, owner of Famous Artist Limited and a recovering Vancouver lawyer. He tells us about the ghost that haunted an East Georgia Street house after a violent shooting and murder of Vancouver police chief in  1917.

Michael Kluckner’s 1984 painting from his book Vancouver: The Way it Was depicts the shooting and murder of Police Chief Malcolm MacLennan and George Robb, 9 in 1917.
Haunted Piano:

Tom Carter is a Vancouver artist, historian and musician who shares his Vancouver loft with a haunted piano.

Tom Carter with his haunted 1865 Steinway piano. Dan Chambers photo.
Chinatown Nightclub:

When Tom was researching the Mandarin Garden (1936-1952) for his gorgeous painting, he found that the Chinatown nightclub was once owned by Chan See Wong Fong. After he died on the premises, staff began experiencing strange things. They heard voices, taps turned on by themselves, electrical devices became unplugged and there was a disembodied hand.

Mandarin Garden ca.1950s, Tom Carter painting 2021
Fort Langley Cemetery:

Aman Johal is a heritage interpreter at Fort Langley National Historic Site and he’s a storyteller for Forbidden Vancouver Walking Tours. You can catch Aman live guiding the Grave Tale Walking tour between October 15 and November 7 and visit William Henry Emptage’s and his wife Louisa’s gravesites.

Aman Johan, courtesy Langley Advance Times
Riverview Hospital for the criminally insane:

Greg Mansfield is the author of Ghosts of Vancouver, the website and book. He takes us to Riverview Hospital in Coquitlam, a now abandoned former asylum for the criminally insane.

CTV’s St. John Alexander and Greg Mansfield, October 2021. Eve Lazarus photo

For more ghostly stories check out these podcast episodes:

S1 E9 Three Ghost Stories and a Murder

Victoria’s Ghost

SHOW NOTES

Sponsored by Forbidden Vancouver Walking Tours.

Music:   October 31st by Myuu darkpiano.com (shortened version)

Podcast PromoHaunted AF

Buy me a coffee promo: McBride Communications and Media

Got a true crime or history fan on your list this Christmas? Get your shopping out of the way ridiculously early with these Christmas Book offers or shoot me an email at eve@evelazarus.com for more information.

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

Halloween Special 2020

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In the Halloween Special 2020, we visit the Vogue Theatre, and includes stories of haunted grain elevators, a Chilliwack manor and a once “occupied” house in James Bay, Victoria.

Based on stories from At Home With History: The Secrets of Greater Vancouver’s Heritage Houses; Vancouver Exposed: Searching for the City’s Hidden History; and Sensational Victoria and features an interview with former Vogue theatre manager Bill Allman.

Sponsor: Forbidden Vancouver Walking Tours

Bill Allman is the former theatre manager at the Vogue, one of Vancouver’s most haunted venues. Tom Carter photo.
Three ghost stories and a murder:

Bill Allman, a very sane, “recovering” lawyer and promoter, talks about his experience with the Vogue Theatre ghost when he managed the venue back in the ‘90s. David Sampson, an inspector with the Canadian Grain Commission, tells us about his first-hand experience with the 1975 grain elevator fire that killed five men and created one ghost; while Liisa Rowat, talks about her experience as a nurse in the burn unit at Vancouver General Hospital following the explosion that was seen and heard all over the North Shore and Vancouver.

The fire killed five men, caused $8 million in damages and created one ghost. NVMA 16021
Haunted Victoria:

And, while three of the stories took place in Metro Vancouver, it just seemed wrong not to include a story from Victoria, the most haunted city in British Columbia, if not the entire country. When I was writing Sensational Victoria (2012) I would drop around to various heritage houses to talk to their current owners about architects or gardens or fascinating women who had lived in their houses.

This cozy James Bay house was the site of a murder in 1954. Eve Lazarus photo.

Invariably I’d be asked “Are you here to talk about the ghost?” People who live in Victoria really embrace their ghosts! It’s a much harder slog here in Vancouver, where we’re terrified that having a ghost may bring down the price of our real estate. So much so, that a couple of years ago I wrote a blog post called How Not to Buy a Murder House.

And there’s the Chilliwack Hostess with the Ghostess.

Have you had a harrowing encounter with a ghost? Let me know, and it may just end up in next year’s Halloween Special.

For more ghostly stories check out these podcast episodes:

S2 E24 Halloween Special 2021

Victoria’s Ghost

Show Notes

Intro:            Mark Dunn

Music:          Jeremy Van Laanen, Haunted

Special FX:  Freesoundeffects.com

Promo:         Blood, Sweat, and Fear: The Story of Inspector Vance

Sources:

Lazarus, Eve. At Home with History: The Untold Secrets of Greater Vancouver’s Heritage Homes (Anvil Press, 2007)

Lazarus, Eve. Sensational Victoria (Anvil Press, 2012)

Lazarus, Eve. Vancouver Exposed: Searching for the City’s Hidden History (Arsenal Pulp Press, 2020)

Belyk, Robert, Ghosts: True Tales of Eerie Encounters. (Touchwood, 1989)

© All rights reserved. Unless otherwise indicated, all blog content copyright Eve Lazarus.

 

 

 

Alice: A Murder Mystery

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In her day job, my friend Cat Rose works as a Crime Analyst for the Vancouver Police Department. In her spare time, she volunteers at the Vancouver Police Museum. Cat has a Masters in Public History and she has used her background to conceive, research and produce Alice: A Murder Mystery which debuts in time for Halloween. (The script was co-written with Bill Allman).

Cat Rose inside the hidden courtyard in Chinatown

This 90-minute piece of immersive theatre is set in the 1930s and takes place in the heritage building that houses the Police Museum on East Cordova Street.

Eight actors have been cast in a variety of character roles and they will interact with the audience—a maximum of 25—and be there to drop hints about the murderer and help move the story along.

While the play is fictional, it’s loosely based on the Janet Smith unsolved murder and takes place mostly in Vancouver’s Chinatown. Unlike the real Janet Smith, Alice was involved in all sorts of scandals from Vancouver’s crime history including rum running and connections to the Chinese underworld. Cat has gone to extraordinary lengths to ensure its historical accuracy.

Gambling in Chinatown, 1950. Courtesy Vancouver Public Library #41613A

“I just find Chinatown and the early Chinese community so interesting,” she says. “We need to stop only telling stories about prominent white people. The Chinese have always been a huge part of the city of Vancouver—why don’t we know about more of them?”

When Cat was researching the story, she discovered that one of the character’s—Jim “Salt Water” Goon had a connection to the Janet Smith murder. The problem was, there just wasn’t a lot known about him. After a lot of digging, she was able to find out that Goon was a real bad ass working both criminals and cops. “He was running dope, running girls, running gambling dens. He was convicted of attempted murder and got out of jail in five months, and then in 1920 he was named City Police Chinese Inspector.” This was an early euphemism for a paid informant. The first Chinese VPD officer wasn’t hired until the 1970s.

To add to the realism of the play, audience members will be part of a coroner’s inquest that investigates the murder. It’s held in the actual Coroner’s Court, which has recently undergone a massive makeover. They will listen to a 1930s-style radio broadcast recorded by Jeff Hyslop for the play, and see physical evidence in the form of police documents and crime scene photos.

The audience also has a role to play. Six of the characters are based on real people. Cat’s research found that Salt Water Goon knew VPD Inspector John Jackson and it was likely the Inspector was taking payoffs. “That was my favourite thing that I learned while doing this. I needed a gangster and a dirty cop, and by pure coincidence they were actually scheming together in real life!”

Coroner’s Court courtesy Vancouver Police Museum

The great thing about writing history is that fact is always stranger than fiction.

For details about dates and ticket prices, please visit the Vancouver Police Museum.

Saving History: the autographed lights from the Orpheum Theatre

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A couple of weeks ago Bill Allman, Tom Carter and I were sipping martinis and discussing bits of history that have been saved from the dumpster. The subject of the rescued lights from the Orpheum Theatre came up, and next thing he knew, Bill had agreed to write this blog.

By Bill Allman

Deep in a haunted basement on West Cordova, below Vancouver curio shop, Salmagundi West, lay a collection of vintage stage lights. I blew the dust off one marked TUTS (for

Tom Carter and Bill Allman, 2017

Theatre Under the Stars) and marveled at the antique design. “There are more.” said my friend – theatre historian and painter extraordinaire, Tom Carter. “Where?” I asked. “The Orpheum. A whole collection. All signed by different stars.”

I let out a low whistle. We emerged from the cavernous cellar, went to the Sylvia Hotel for a drink (or three), and decided that we HAD to see the Orpheum’s treasure trove.

Tom and I were organizing a gala fundraiser and auction for the Friends of the Vancouver Archives to benefit the Hugh Pickett Collection. But that’s another story. This one is about lights – stage lights that had illuminated shows for hundreds of thousands of people.

I am fascinated by objects from great performances by famous people. “Screen used” props, and dog-eared shooting scripts are the only ones I care about; likewise, any piece of stage memorabilia with a genuine connection to a gifted artist. So, when we got access to the Orpheum’s cache of autographed lights, AND a very generous donation from the B.C. Entertainment Hall of Fame of three of those lights for our auction, we were in seventh heaven.

Three lights went up for auction at the Hugh Pickett Gala in November 2017.   Courtesy Christina Potter

There we were, crouched in a room in the Orpheum hidden from public view and illuminated only by a flickering Radio Shack strobe light bouncing off the walls and the tinsel curtain that covered the racks of antique Leko lights. As quickly as we could read the names, we’d call them out with schoolyard excitement. “Tina Turner!”, “Michael Buble!”, “Ray Charles!”. Then we found the three we wanted for the auction – artists that Hugh had presented at one time or another: “Tony Bennett!”, “Victor Borge!”, “And here’s a friend of mine – Jeff Hyslop!”

A light signed by Tony Bennett after a performance at the Orpheum. Courtesy Jason Vanderhill

The lights had almost been lost to time and the dumpster. Another near-tragedy of Vancouver’s urge to purge its past. But eyes that were keen and hearts that long to preserve and celebrate our city’s culture had intervened. The three lights that sold went to homes where their rich history would be appreciated. And the remainder? They rest in a secret room in a famous theatre. And the day will come when they are displayed and perhaps even researched by top people.

Who?

Top people.

Bill Allman is a “recovering lawyer” and instructor of Entertainment Law at UBC. Bill has been a theatre manager (the Vogue), president of Theatre Under the Stars, and a concert promoter and theatre producer through his company, Famous Artists Limited. He is no longer willing to move your piano.

 

Heritage Streeters with Bill Allman, Kristin Hardie and Pamela Post

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This is an ongoing series that asks people who love history and heritage to tell us their favourite existing building and the one that never should have been torn down.

Bill Allman is a “recovering lawyer” and instructor of Entertainment Law at UBC. Bill has been a theatre manager (the Vogue), president of Theatre Under the Stars, and a concert promoter through his company, Famous Artists Limited. He is no longer willing to move your piano.

Favourite existing building: The Jericho Sailing Club because the main club building, along with the hostel, Jericho Arts Centre and the City works yard, is the only remaining structure from the RCAF Station Jericho Beach. In its latter years, the RCAF Station was home to several army units including 156 Company Royal Canadian Army Service Corps. That was my father, Major Arthur Allman’s unit. Dad’s office was housed in one of four massive hangers that stood on the site until the ’90s. It was in one of those hangars that, as the young child of a Militia officer, I sat on the knee of my very first Santa Claus and I played on the private DND-owned beach. I learned to swim in the ocean water outside what is now the Sailing Club.

Vancouver Opera House on Granville Street in 1909. Photo courtesy Vancouver Archives 64-2
Vancouver Opera House on Granville Street in 1909.  Vancouver Archives 64-2

The building that should never have been torn down: I want my opera house back.  The Vancouver Opera House, opened in 1891 and hosted a wide variety of “legitimate” dramas as well as vaudeville and music; but not much opera. The theatre was elegantly appointed and intended by the CPR to add to Vancouver’s status as a world class city. Over the years, the theatre often changed hands and, after a complete renovation in 1913, had a life as the “New Orpheum.”. The old Vancouver Opera House survived until 1969 when they ripped it down in favour of that effing Pacific Centre Mall. Nothing says “culture” like a shoe sale.

Kristin Hardie is the curator for the Vancouver Police Museum.  

Vancouver Police Museum
240 East Cordova Street in 1977. Vancouver Archives 1135-25

Favourite existing building: I can’t help but choose 240 East Cordova, now the home of the Vancouver Police Museum and once the Coroner’s Services and the City Analyst Laboratory. Built in 1932, it was the last project architect Arthur J. Bird worked on in Vancouver. Fitting that he ended his career with the Morgue, no? The two-story building is made up of a wonderful mixture of classic Georgian Revival and Art Deco styles . The original design elements inside include the Georgian banister up the front stairs and the unique arched wooden roof in what was once the courtroom—oh and not to mention the actual rooms and autopsy tables used by the pathologist and the Coroner’s Services during 50 years of death investigations.

City Hall
City Hall on Westminster (Main Street) in 1928 . Vancouver Archives 1376-88

The building that should never have been torn down: The City Hall on Westminster (now Main) street was a robust turreted building that acted as Vancouver’s municipal and political hub for 30 years. It was built in 1890 to house a market on the lower level and a community gathering space above. It became City Hall eight years later. I love that it was nestled deep within the bustling east side neighbourhood–the busiest part of the city before big businesses started to move downtown. There, it was accessible and stood face-to-face with the regular people of the city. That in-and-of-itself should have guaranteed its longevity. I mean really, who tears down their own City Hall? The wrecking ball came in 1958 and in its place is a squat, single story brick eyesore.

Pamela Post is an award-winning Vancouver journalist, broadcaster and part-time journalism instructor/mentor at Langara College. She was born in the West End and now lives next door to the Sylvia Hotel.

Swathed in its cloak of Virginia Creeper vine (planted by Mrs. Kenvyn, an original tenant of the Sylvia Court Apts.),
“Swathed in its cloak of resplendent Virginia Creeper vine (planted by Mrs. Kenvyn, an original tenant of the Sylvia Court Apts.),” Pamela Post photo, 2016

Favourite existing building: This stately brick and terracotta building stands proudly as a vestige of a long-vanished Vancouver. Designed by architect William P. White and built in 1912 as an apartment building before being converted to a hotel in 1936, it’s named for the owner’s daughter Sylvia Goldstein. GM Ross Dyck tells me that in the autumn, the hotel used to get calls from the Coast Guard station in Kitsilano, saying boaters in English Bay were confusing the bright reds and yellows of the vine with a building on fire. The same family has owned the Sylvia since 1960 and steadfastly celebrated its heritage while regularly refusing lucrative offers to sell. A family recently celebrated its fifth generation of family members married at the Sylvia. The first was a young soldier, heading off to war in 1914. I often say to my friends ‘ahh, the Sylvia Hotel – where it’s always 1947.’

"Janet Hobbs has worked at the Sylvia Hotel for 43 years, and she was working the morning the Englesea burned. "I remember it so well. It was terrible,” she told Pamela. “All the people from Englesea came and gathered in the Sylvia." In fact, many of them were housed at the Sylvia at city expense for the next ten days. CVA 2009-001-006, 1960s
Janet Hobbs has worked at the Sylvia Hotel for 43 years, and she was working the morning the Englesea burned. “I remember it so well,” she told Pamela. “All the people from Englesea came and gathered in the Sylvia.” CVA 2009-001-006, 1960s

The building that should never have been torn down: The Englesea Lodge which once sat on Beach Avenue, was also designed by the same architect as the Sylvia Hotel in 1911. Throughout the ‘70s, the seven-storey building was a pawn in a civic battle royale between the Vancouver Park Board that viewed it as an ‘eyesore and blight’ at the entrance to Stanley Park, and a city council which was facing a severe housing shortage (sound familiar?) and pressure from the heritage-loving ‘Save the Englesea’ movement. The latter which proposed a rent-controlled residence for seniors with a tea/coffee house and educational facility in the lobby. In the end arson took care of the problem and the Englesea was removed from the landscape in 1981.

For more on the series see: