Fred Hollingsworth

BC Binning’s Missing Murals

by Eve Lazarus on February 5, 2022

BC Binning wasn’t just an important artist; as a teacher, he influenced architects such as Arthur Erickson, Ron Thom and Fred Hollingsworth. Where are his missing murals?

From Vancouver Exposed: Searching for the City’s Hidden History

BC Binning’s mural still decorates the old BC Hydro Building, which was converted into condos in the early 1990s. Doris Fiedrich photo, 2017.

Artist and teacher:

BC Binning wasn’t just an important artist; as a teacher, he influenced architects such as Arthur Erickson, Ron Thom and Fred Hollingsworth. His tiled murals are still outside the BC Hydro building (now the Electra Building) on Burrard Street, as well as in and outside his West Vancouver house which was designated a heritage building in 1999 and a National Historic Site in 2001.

BC Binning’s home, interior mural. Parks Canada photo

Murals:

What you can’t see are the murals that he created for the old Vancouver Public Library on Robson Street, or the 76.2 metre-long mural he created in 1956 to wrap around the CKWX building on Burrard Street. That building was replaced by a 20-storey condo tower just 33 years later.

BC Binning’s mural decorated this building from 1956 until it was demolished in 1989. Selwyn Pullen photo, 1956

The University of British Columbia came up with most of the $8,000 needed to rescue a 7.3 metre section of the CKWX mural, while Andrew Todd, a Vancouver conservator was charged with prying Binning’s blue, green and yellow mosaic off the wall, tile by tile, and placing it on a rolled canvas for storage at UBC. “Oh my god it was tough to save,” Todd told me. “It was an abstract arrangement of one-inch glass tiles from Venice, much like his mural on the BC Hydro Building. And it was huge, maybe 20 feet by 10 feet (six by three metres) in sections.”

The old Vancouver Public Library on Robson. Vancouver Archives photo ca.1972

The saved section of the mural was to be installed on a proposed studio-resources building, which was to house the university’s fine arts program. The building was never built, and the mural has apparently disappeared.

Tags Andrew Todd, Arthur Erickson, BC Binning, BC Hydro building, Electra, Fred Hollingsworth, Ron Thom, Selwyn Pullen; CKWX, Vancouver Exposed

West Coast Modern Architecture

by Eve Lazarus on June 15, 2018

There is a chapter in Sensational Vancouver called West Coast Modern which explains the connections between artists and architects and the West Coast Modern movement in Vancouver.

Last week I wrote about Selwyn Pullan’s photography exhibition currently on display at the West Vancouver Museum. I focused on his shots of West Coast Modern houses now almost all obliterated from the landscape.

But Selwyn also did a lot of commercial photography and one of his largest clients was Thompson Berwick Pratt, the architecture firm headed up by Ned Pratt who hired and mentored some of our most influential West Coast Modern architects. Arthur Erickson, Ron Thom, Paul Merrick, Barry Downs and Fred Hollingsworth all cut their teeth at TBP, and BC Binning consulted on much of the art that went along with the buildings.

Ned Pratt:

Ned Pratt’s crowning achievement was winning the commission to design the BC Electric building on Burrard Street—a game changer in the early 1950s. While the building is still there, now dwarfed by glass towers and repurposed into the Electra—a few of the firm’s other creations are long gone.

There was the Clarke Simpkins car dealership built in 1963 on West Georgia that demonstrated Vancouver’s growing fascination with neon.

CKWX

Our love for neon also showed up in the former CKWX headquarters at 1275 Burrard Street. According to the Modern Movement Architecture in BC (MOMO) the building won the Massey Silver Medal in 1958. “This skylit concrete bunker was home to one of Vancouver’s major radio stations until the late 1980s. The glassed-in entrance showcased wall mosaics by BC Binning, their blue-gray tile patterns symbolizing the electronic gathering and transmission of information.”

The building is long gone, replaced by a 20-storey condo building called The Ellington in 1990.

The Ritz Hotel at 1040 West Georgia was originally a 1912 apartment building. It was remodeled into a hotel when this photo was taken in 1956 and demolished in 1982. It was replaced by the 22-storey hideous gold Grosvenor building. Selwyn Pullan photo

I wonder what happened to the murals?

Top photo: Clarke Simpkins Dealership, 1345 West Georgia. Built 1963, demolished 1993. Selwyn Pullan photo, 1963.

Tags Arthur Erickson, Barry Downs, BC Binning, BC Electric Building, CKWX, Clarke Simpkins, Electra, Fred Hollingsworth, Ned Pratt, Paul Merrick, Ron Thom, Selwyn Pullan, Thompson Berwick Pratt, West Vancouver Museum

Selwyn Pullan Photography: What’s Lost

by Eve Lazarus on June 9, 2018

I finally got a chance to drop by the West Vancouver Museum yesterday to check out the latest exhibition on the photography of Selwyn Pullan. Assistant curator Kiriko Watanabe has done an amazing job, not only pulling out some of Selwyn’s most interesting work, but also displaying the cameras that he used to shoot them with.

After serving in the Canadian Navy during the Second World War, Selwyn moved to Los Angeles to study photography at the Art Center School in Los Angeles where Ansel Adams taught. He worked as a news photographer at the Halifax Chronicle, and when he moved back to Vancouver in 1950 he found a new movement of artists and architects who were reinventing the house.

Selwyn reinvented architectural photography.

When he found that the Speed Graphic was inadequate for the movement needed for photographing West Coast Modern architecture, Selwyn built his own camera. Eve Lazarus photo

Several years ago, I asked him how he went about taking these photos. “I just look at the house and photograph it,” he said. “It’s a journalistic assignment not a photographic one.”

Many of his photos were taken in the 1950s and ‘60s. They evoke a sense of time, optimism for the future, and perhaps even a new way of thinking. He intuitively understood the work of the architects he photographed, emphasizing light and space and often pulling in the homeowners and their children to show how the architectural and interior design fit with family life.

His pictures show Gordon Smith painting in the studio designed by Arthur Erickson; there’s a young Erickson lounging in his own adapted garage; and Jack Shadbolt is photographed painting in his Burnaby studio. His stunning portraits of artists and sculptors include E.J. Hughes, George Norris, Bill Reid and Roy Kiyooka.

While the photos in the exhibition showcase Selwyn’s work, they are also carefully selected to show our missing heritage—building after building both residential and commercial that no longer exist. The loss is particularly apparent in West Coast Modern.

Go see this exhibition—it runs until July 14. There’s a guest talk by Donald Luxton on Saturday June 30 at 2:00 p.m. which will be well worth your time.

Selwyn died last September, after spending 65 years in his North Vancouver house, where he worked in his Fred Hollingsworth-designed studio, and where he parked his jaguar under a Hollingsworth-designed carport.

Fred Hollingsworth designed Selwyn’s North Vancouver home/studio in 1960.

Top photo caption: Birks Building. Architect Somervell and Putnam. Built 1912, demolished 1974.

Tags Arthur Erickson, Bill Reid, E.J. Hughes, Fred Hollingsworth, Geoffrey Massey, George Norris, Gordon Smith, Jack Shadbolt, Kiriko Watanabe, Roy Kiyooka Birks building, Selwyn Pullan, West Vancouver Museum

Fred Hollingsworth’s Sky Bungalow

by Eve Lazarus on November 7, 2015

Fred Hollingsworth designed the Sky Bungalow — Sky Bungalow in the Bay’s parking lot on Seymour 1949

From Vancouver Exposed: Searching for the City’s Hidden History

If you read my blog regularly, you know that I’m a huge fan of West Coast Modern, and especially of Fred Hollingsworth, an amazing North Vancouver architect who died this year at age 98 after changing the face of architecture.

But it wasn’t until I was at the West Vancouver Museum this summer that I heard the story behind the Sky Bungalow. So instead of writing up a talk for my book launch on Thursday, I decided to go check out the house.

The amazing thing about this house, apart from the fact that it exists at all—is that it started life in a downtown parking lot.

Fred Holllingsworth — Sky Bungalow, 3355 Aintree Drive. Eve Lazarus photo, November 2015

In 1949, Eric Allan, a developer, came up with the idea of building a house in the Hudson Bay’s parking lot to promote the new Capilano Highlands subdivision. The Bay agreed, but only if the house took up no more than three parking spots. No problem, said Hollingworth. He perched the wooden house on beams and floated it over the cars. In a 2004 interview Hollingsworth said: “The space below is just as important as space above. The whole building belongs to the site, in an organic sense. It should look as if it grew there and is just as comfortable as the plants are.”

Fred Hollingsworth — Sky Bungalow in the Bay’s parking lot on Seymour 1949

The Sky Bungalow was a huge hit. Thousands of people paid their 10 cents to tour the house—and the money was donated to the Vancouver Symphony Orchestra.

The house sold and moved to its current address on Aintree Drive.

Not only does the Sky Bungalow still exist, but it is surrounded by contemporary bungalows that have stayed with the scale and the feel of the area. It was pouring today and nobody was out, but the whole street screams community, and it’s easy to imagine it filled with kids on nicer days.

The house is also just blocks away from the house that Hollingsworth designed for his own family in 1946. And, even though he became highly successful designing projects that ranged all the way to Nat Bosa’s West Vancouver waterfront mansion (ranked by Vancouver Magazine as the second most expensive property in BC in 2005) and the building that houses UBC’s Faculty of Law, he stayed in his Ridgeway Drive house all of his life.

For more about Fred Hollingworth see:

The book: Living Spaces: The Architecture of Fred Thornton Hollingsworth
My blog: Our Missing North Vancouver Heritage

Tags 3355 Aintree Drive, Fred Hollingsworth, Nat Bosa, UBC Faculty of Law, West Coast modern, West Vancouver Museum

West Coast Modern on Display

by Eve Lazarus on June 28, 2015

There is a chapter on West Coast Modern Artists and Architects in Sensational Vancouver.

If you love West Coast modern like I do, check out the art and architecture exhibit at the West Vancouver Museum this summer.

Work from all the greats is there—Fred Hollingsworth, Arthur Erickson, B.C. Binning, Ned Pratt, Ron Thom, Gordon Smith, Len Norris, Jack Shadbolt, Bill Reid and Zoltan Kiss and documented by photographers Selwyn Pullan and John Fulker.

I had spent time in the houses of Barry Downs, Ned Pratt and Selwyn Pullan while writing Sensational Vancouver and it was great to see their work highlighted. I didn’t know that Hollingsworth and Pratt designed furniture, Kiss made pottery, or that cartoonist Len Norris was originally an architectural draftsman.

Len Norris, 1955. Reproduced from the original

Ned Pratt of Thompson Berwick Pratt, may be the most important architect to come out of Vancouver. He hired and mentored some of the most influential architects of the time—Erickson, Thom, Downs, Hollingsworth all cut their teeth at TBP.

Pratt’s crowning achievement was winning the commission to design the B.C. Electric building on Burrard Street—a game changer in the early 1950s.

Fred Herzog photo of B.C. Electric building in 1959

Pratt built his own home on an acre lot in the British Properties in the ‘50s.

When Peter Pratt, also an architect, took over the house after his father’s death, it had started to leak and rot. “I don’t know how many times I heard ‘it’s a tear down Pratt you can’t save it’,” he said in Sensational Vancouver. “This is our home, it’s not so much an asset, it’s our home. It has a sense of place.”

Peter Pratt in front of the mural designed by Ned Pratt and Ron Thom made from paper, coloured dyes and fibreglass. Eve Lazarus photo, 2015

Peter not only saved much of the family home, he built his own post-and-beam home right next door.

Hollingsworth just died a few months ago at age 98. His wife Phyllis still lives in the North Vancouver house he designed in1946.

Barry Downs, who was recently awarded the Order of Canada, still lives with his wife Mary in the gorgeous West Vancouver house he designed for them in 1979.

Eve Lazarus and Barry Downs. Tom Carter photo, 2015

A huge Gordon Smith painting hangs in the dining room. The artist is a good friend of the Downs’ and lives nearby in a house designed by Arthur Erickson.

Ironically, Erickson, who was probably the most famous of all, chose not to design his own house, but bought a large corner lot with a small cottage and a garage in Point Grey out of which he created a 900-square-foot home, and lived there for 52 years.

Arthur Erickson. Selwyn Pullan photo, 1972

The West Vancouver Museum is at 680-17^th Street in West Vancouver. It’s located inside the Gertrude Lawson House, a 1940 stone house built in the Colonial Revival Style.

Tags Arthur Erickson, B.C. Binning, B.C. Electric building, Barry Downs, Bill Reid, Fred Hollingsworth, Gordon Smith, Jack Shadbolt, John Fulker, Len Norris, Ned Pratt, Ron Thom, Selwyn Pullan, Sensational Vancouver, Thompson Berwick Pratt, West Coast modern, Zoltan Kill

Our Missing Heritage – What should we have kept?

by Eve Lazarus on December 20, 2014

Every now and then I run a story under a series I call “Our Missing Heritage – What were we thinking?” It came out of my frustration from researching my books on home histories. Often I’d hear or read about a great story that happened in a house, or see a picture of an amazing building only to find out that it had turned into a parking lot, a boxy condo tower or a monster house.

Last week I looked at missing theatres that included the Strand, the Empress, the Rex, the Pantages and the Vancouver Opera House. Other posts have focussed on the Georgia Medical-Dental Building, the Devonshire Hotel, the Birks Building and the second Hotel Vancouver. Occasionally I take a look at a residential building such as Legg House in the West End, and lesser known ones such as the Fred Hollingsworth West Coast Modern house now missing from North Vancouver’s Edgemont Village.

The Legg residence was built in 1899 — 1245 Harwood Street

Sadly, I have a growing list of buildings to add to future posts that have now been bulldozed out of existence. My question to you this week is – what’s your favourite building that we should have kept? It can be anywhere in B.C., commercial or residential, and it doesn’t have to be architecturally jaw dropping or eccentric. It may be a simple house that belonged to someone interesting or it may just have had a great story to tell. In other words, I’m looking for buildings that would have made our heritage a little bit richer if we’d let them stay around.

For more posts see: Our Missing Heritage

John Hendry’s house, 725 Queens Avenue, New Westminster. Photo courtesy New Westminster Museum and Archives, ca.1890.

Tags 1245 Harwood, Birks Building, Devonshire Hotel, Fred Hollingsworth, Georgia Medical-Dental Building, Legg House, Second Hotel Vancouver, the Empress, the Pantages, the Rex, The Strand, the Vancouver Opera House

The incredible photography of Selwyn Pullan

by Eve Lazarus on August 16, 2014

Selwyn Pullan, photographer — Selwyn Pullan in his studio, 2008. Kenneth Dyck photo

I’ve been posting pictures of the BC Electric Building on Facebook this week, but I haven’t posted this one—it’s on the back of Sensational Vancouver and in the chapter on West Coast Modern. The photo was shot by Selwyn Pullan in 1957, the same year BC Electric completed this ground breaking piece of architecture.

While Ned Pratt and Ron Thom were designing the BC Electric building and other west coast modern architects such as Arthur western living 1961 Erickson and Barry Downs were producing buildings full of glass and angles and natural materials built to expand into spaces in ways unseen before, it was Selwyn Pullan who captured their vision.

Selwyn studied under Ansel Adams at the Art Center School in Los Angeles, and after moving back to Vancouver he became a sought after commercial photographer, working for magazines such as Western Homes and Living, Macleans and Architectural Digest.

“I just look at the house and photograph it,” he told me. “I don’t have any preconceptions when I photograph, it’s a journalistic assignment not a photographic one.”

Many of Selwyn’s photos are in my book, and so is he. He’s over 90 now and still living in the North Vancouver house he bought in 1952. Pullan asked Fred Hollingsworth to design a carport. The finished structure looks more like a plane than a garage, and that’s interesting not just from an architectural point of view, but because he and Hollingsworth used to make model airplanes together as teens. Pullan says Hollingsworth still does.

Selwyn Pullan's studio. Selwyn Pullan photo, 1960 — Selwyn Pullan’s studio. Selwyn Pullan photo, 1960

In 1960 when Pullan needed a multi-purpose studio and darkroom for his growing photographing business, he sought out Hollingsworth again. Rather then add another room to the house, the architect created a covered passageway that led from the house and flowed down the slope of the property. He designed a two-level studio with floor-to-ceiling windows and concrete floors that blend seamlessly with the landscape.It was here in 1969 that Selwyn shot the paintings for Lawren Harris’s book, from the artist’s early days with the Group of Seven through to his abstract period in Vancouver. Selwyn refused to shoot them anywhere except his studio and only when he was alone. The paintings would be trucked to his studio in batches, taken away and a new group brought in. Harris, who lived on ritzy Belmont Avenue in Vancouver, died the following year. Cover image by DRK Design. To see more of his work, see Selwyn Pullan: Photographing Mid-Century West Coast Modern, Douglas & McIntyre, 2012.

Tags Ansel Adams, Architectural Digest, Art Center School, Arthur Erickson, Barry Downs, BC Electric, Fred Hollingsworth, Lawren Harris, Ned Pratt, Ron Thom, Selwyn Pullan, Sensational Vancouver, Western Homes and Living

West Coast Modern and Architect Barry Downs

by Eve Lazarus on July 5, 2014

Barry Downs architect designed his gorgeous West Coast Modern house in West Vancouver in 1979. He lived there until his death in July 2022 at 92.

From Sensational Vancouver

Barry Downs and the West Coast modern house he designed in 1979

Barry Downs house sits on top of a cliff 120 feet above West Vancouver’s Garrow Bay. The house is almost invisible from the busy street and built on multiple levels, with lots of glass that connects the indoors with the out.

Rapidly disappearing:

Most people don’t think of these gorgeous mid-century homes as “heritage,” but many are listed on the Heritage Register. Because they are typically small houses on large view lots, they are rapidly disappearing.

Barry figures we’ve lost about 50 percent of our mid-century housing stock.

Each step through the Downs’ house is like a journey of discovery. A window in the bathroom looks out onto the forest. Another window gives a view of Bowen Island, and another a glimpse of the rocky exterior. But it’s not until you step into the dining room that you can truly understand the brilliance of Barry’s design. The Strait of Georgia, Vancouver Island and the B.C. Coast line leaps out through floor to ceiling glass windows, and just for a moment it’s disorienting, like being suspended in space.

Marine Drive, West Vancouver. Barry Downs photo

Focus on the landscape:

“To me, it’s all to do with emotion, and you derive that from the building and its setting,” says Barry. “The focus for me has always been the landscape, the garden, the seasonal world.”

Barry trained at Thompson, Berwick and Pratt and worked with some of the city’s most exciting and imaginative architects. Arthur Erickson, Ron Thom, Fred Hollingsworth, Paul Merrick and B.C. Binning, at one time all worked under the guidance of Ned Pratt. Barry left to form a partnership with Fred Hollingsworth in 1963, and six years later he and Richard Archambault launched their own company with residential houses as their mainstay.

Barry Downs architect

“We built on narrow lots with simple and affordable post and beam houses. We designed houses that pushed up through the trees, that revolved around the idea of the big room, surrounded by the garden, and the view of the changing seasons,” he says.

Barry, a softly spoken man now in his 80s, is as low key as the houses that he designs. He’d just like to see more of them remain.

Tags Arthur Erickson, B.C. Binning, Barry Downs, Berwick Pratt, Fred Hollingsworth, Paul Merrick, Richard Archambault, Ron Thom, Sensational Vancouver, Thompson, West Vancouver Museum

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