Ned Pratt

West Coast Modern: Selling Architecture as Art

by Eve Lazarus on January 25, 2020

For the last year or so I’ve been receiving emails from a realtor named Trent Rodney at West Coast Modern. They come with an invitation to drop by one of the dwindling stock of West Coast Modern houses on the North Shore, sip a cocktail, eat catered food and listen to jazz. The houses are all designed by well-known mid-century architects such as Fred Hollingsworth, Arthur Erickson, Ned Pratt, Peter Kafka, Barry Griblin, and Henry Yorke Mann.

One of around 15 invite-only preview events. This one for a West Coast Modern house designed by Bob Lewis on Greenbriar way in 1954

When he first started as a realtor, Trent says he’d see a post-modern house come on the market and wish that he was the agent. “I would drive by two months later and it would be torn down. It was a slap in the face.”

Trent says he sees himself as an art dealer, representing the work of architects.

Last Thursday, more than 300 people turned up to an Arthur Erickson-designed house in West Vancouver. Built in 1981, it’s now listed at almost $3.3 million. There’s a public open house this Sunday.

5323 Montiverdi Place, West Vancouver. Courtesy West Coast Modern

“I’m a big believer in emotion. When people come to one of our events, they are excited about the house,” he says.

Trent sends out around 15,000 invitations to a carefully curated database of people in the creative community who already live in, or are most likely to love these West Coast Modern houses. They include designers, artists, architects, musicians, and for the higher end stuff, people working in the tech industry.

Realtors are not welcome.

Ned Pratt House, West Van. Eve Lazarus photo 2013 from Sensational Vancouver

It’s a unique and costly marketing strategy, but seems to be working. “I’m able to command a 10 to 15 percent design premium for a West Coast Modern house,” he says. “A renovated house in Edgemont Village, for instance will sell for around $2.2 million. I’m able to achieve close to $2.5 million for the same size house because I’m able to attract the design community and get multiple offers.”

Trent says his goal is to keep these houses out of the hands of the developers. He spends a chunk of his day pouring through the more than 500 listings on the North Shore and highlighting the houses that he believes should be saved and making sure buyers are aware of them.

Peter Kafka Forest House, built 1961 West Vancouver, Courtesy West Coast Modern

The problem is, these houses are often on big lots zoned for much larger houses, and realtors pitch them as lot value where you can “build your dream home” ignoring for most of us, that like this long-gone Fred Hollingsworth house on Newmarket Drive, these are our dream homes.

When I asked Trent, which house he thought was the greatest loss, I was expecting him to say the Graham house or one of the expensive cliff hugging West Vancouver homes. Instead, he told me it was the Watts Residence, a fairly modest house designed by Fred Hollingsworth.

Watts Residence 3635 Sunnycrest, North Van *(1951-2019)*

The Watts Residence was recently replaced with the kind of cookie cutter house that is homogenizing our neighbourhoods. Hollingsworth’s own North Van house which he designed and lived in for more than six decades, came up for sale in October 2018. His son, starchitect Russell Hollingsworth hired Trent’s firm to sell the house to someone who would save it.

The Graham House, designed by Arthur Erickson in 1962, demolished 2007

“People say the city should do more, but if you keep it in the hands of the people who live in the houses, they are the custodians. They like the architecture, they pay more, and they are not going to tear it down,” he says.

Former owner Kerry McPhedran at Boyd House in 2012. Eve Lazarus photo

Some good news. It looks like Ron Thom’s Boyd House will live to see another day, after West Van voted to allow subdivision of the lot and short term rentals of the house.

Forrest-Baker house built in 1962 and currently under a temporary protection order by the District of West Van. Selwyn Pullan photo

Unfortunately, the fabulous Ron Thom-designed Forrest-Baker house may not be so lucky. There is currently a temporary protection order in place to try and stop its demolition.

Tags 3635 Sunnycrest, 5323 Montiverdi Place, Arthur Erickson, Barry Griblin, Bob Lewis, Boyd House, Fred Thornton Hollingworth, Henry Yorke Mann, Ned Pratt, Peter Kafka, Watt's Residence, West Coast modern

West Coast Modern Architecture

by Eve Lazarus on June 15, 2018

There is a chapter in Sensational Vancouver called West Coast Modern which explains the connections between artists and architects and the West Coast Modern movement in Vancouver.

Last week I wrote about Selwyn Pullan’s photography exhibition currently on display at the West Vancouver Museum. I focused on his shots of West Coast Modern houses now almost all obliterated from the landscape.

But Selwyn also did a lot of commercial photography and one of his largest clients was Thompson Berwick Pratt, the architecture firm headed up by Ned Pratt who hired and mentored some of our most influential West Coast Modern architects. Arthur Erickson, Ron Thom, Paul Merrick, Barry Downs and Fred Hollingsworth all cut their teeth at TBP, and BC Binning consulted on much of the art that went along with the buildings.

Ned Pratt:

Ned Pratt’s crowning achievement was winning the commission to design the BC Electric building on Burrard Street—a game changer in the early 1950s. While the building is still there, now dwarfed by glass towers and repurposed into the Electra—a few of the firm’s other creations are long gone.

There was the Clarke Simpkins car dealership built in 1963 on West Georgia that demonstrated Vancouver’s growing fascination with neon.

CKWX

Our love for neon also showed up in the former CKWX headquarters at 1275 Burrard Street. According to the Modern Movement Architecture in BC (MOMO) the building won the Massey Silver Medal in 1958. “This skylit concrete bunker was home to one of Vancouver’s major radio stations until the late 1980s. The glassed-in entrance showcased wall mosaics by BC Binning, their blue-gray tile patterns symbolizing the electronic gathering and transmission of information.”

The building is long gone, replaced by a 20-storey condo building called The Ellington in 1990.

The Ritz Hotel at 1040 West Georgia was originally a 1912 apartment building. It was remodeled into a hotel when this photo was taken in 1956 and demolished in 1982. It was replaced by the 22-storey hideous gold Grosvenor building. Selwyn Pullan photo

I wonder what happened to the murals?

Top photo: Clarke Simpkins Dealership, 1345 West Georgia. Built 1963, demolished 1993. Selwyn Pullan photo, 1963.

Tags Arthur Erickson, Barry Downs, BC Binning, BC Electric Building, CKWX, Clarke Simpkins, Electra, Fred Hollingsworth, Ned Pratt, Paul Merrick, Ron Thom, Selwyn Pullan, Thompson Berwick Pratt, West Vancouver Museum

West Coast Modern on Display

by Eve Lazarus on June 28, 2015

There is a chapter on West Coast Modern Artists and Architects in Sensational Vancouver.

If you love West Coast modern like I do, check out the art and architecture exhibit at the West Vancouver Museum this summer.

Work from all the greats is there—Fred Hollingsworth, Arthur Erickson, B.C. Binning, Ned Pratt, Ron Thom, Gordon Smith, Len Norris, Jack Shadbolt, Bill Reid and Zoltan Kiss and documented by photographers Selwyn Pullan and John Fulker.

I had spent time in the houses of Barry Downs, Ned Pratt and Selwyn Pullan while writing Sensational Vancouver and it was great to see their work highlighted. I didn’t know that Hollingsworth and Pratt designed furniture, Kiss made pottery, or that cartoonist Len Norris was originally an architectural draftsman.

Len Norris, 1955. Reproduced from the original

Ned Pratt of Thompson Berwick Pratt, may be the most important architect to come out of Vancouver. He hired and mentored some of the most influential architects of the time—Erickson, Thom, Downs, Hollingsworth all cut their teeth at TBP.

Pratt’s crowning achievement was winning the commission to design the B.C. Electric building on Burrard Street—a game changer in the early 1950s.

Fred Herzog photo of B.C. Electric building in 1959

Pratt built his own home on an acre lot in the British Properties in the ‘50s.

When Peter Pratt, also an architect, took over the house after his father’s death, it had started to leak and rot. “I don’t know how many times I heard ‘it’s a tear down Pratt you can’t save it’,” he said in Sensational Vancouver. “This is our home, it’s not so much an asset, it’s our home. It has a sense of place.”

Peter Pratt in front of the mural designed by Ned Pratt and Ron Thom made from paper, coloured dyes and fibreglass. Eve Lazarus photo, 2015

Peter not only saved much of the family home, he built his own post-and-beam home right next door.

Hollingsworth just died a few months ago at age 98. His wife Phyllis still lives in the North Vancouver house he designed in1946.

Barry Downs, who was recently awarded the Order of Canada, still lives with his wife Mary in the gorgeous West Vancouver house he designed for them in 1979.

Eve Lazarus and Barry Downs. Tom Carter photo, 2015

A huge Gordon Smith painting hangs in the dining room. The artist is a good friend of the Downs’ and lives nearby in a house designed by Arthur Erickson.

Ironically, Erickson, who was probably the most famous of all, chose not to design his own house, but bought a large corner lot with a small cottage and a garage in Point Grey out of which he created a 900-square-foot home, and lived there for 52 years.

Arthur Erickson. Selwyn Pullan photo, 1972

The West Vancouver Museum is at 680-17^th Street in West Vancouver. It’s located inside the Gertrude Lawson House, a 1940 stone house built in the Colonial Revival Style.

Tags Arthur Erickson, B.C. Binning, B.C. Electric building, Barry Downs, Bill Reid, Fred Hollingsworth, Gordon Smith, Jack Shadbolt, John Fulker, Len Norris, Ned Pratt, Ron Thom, Selwyn Pullan, Sensational Vancouver, Thompson Berwick Pratt, West Coast modern, Zoltan Kill

The incredible photography of Selwyn Pullan

by Eve Lazarus on August 16, 2014

Selwyn Pullan, photographer — Selwyn Pullan in his studio, 2008. Kenneth Dyck photo

I’ve been posting pictures of the BC Electric Building on Facebook this week, but I haven’t posted this one—it’s on the back of Sensational Vancouver and in the chapter on West Coast Modern. The photo was shot by Selwyn Pullan in 1957, the same year BC Electric completed this ground breaking piece of architecture.

While Ned Pratt and Ron Thom were designing the BC Electric building and other west coast modern architects such as Arthur western living 1961 Erickson and Barry Downs were producing buildings full of glass and angles and natural materials built to expand into spaces in ways unseen before, it was Selwyn Pullan who captured their vision.

Selwyn studied under Ansel Adams at the Art Center School in Los Angeles, and after moving back to Vancouver he became a sought after commercial photographer, working for magazines such as Western Homes and Living, Macleans and Architectural Digest.

“I just look at the house and photograph it,” he told me. “I don’t have any preconceptions when I photograph, it’s a journalistic assignment not a photographic one.”

Many of Selwyn’s photos are in my book, and so is he. He’s over 90 now and still living in the North Vancouver house he bought in 1952. Pullan asked Fred Hollingsworth to design a carport. The finished structure looks more like a plane than a garage, and that’s interesting not just from an architectural point of view, but because he and Hollingsworth used to make model airplanes together as teens. Pullan says Hollingsworth still does.

Selwyn Pullan's studio. Selwyn Pullan photo, 1960 — Selwyn Pullan’s studio. Selwyn Pullan photo, 1960

In 1960 when Pullan needed a multi-purpose studio and darkroom for his growing photographing business, he sought out Hollingsworth again. Rather then add another room to the house, the architect created a covered passageway that led from the house and flowed down the slope of the property. He designed a two-level studio with floor-to-ceiling windows and concrete floors that blend seamlessly with the landscape.It was here in 1969 that Selwyn shot the paintings for Lawren Harris’s book, from the artist’s early days with the Group of Seven through to his abstract period in Vancouver. Selwyn refused to shoot them anywhere except his studio and only when he was alone. The paintings would be trucked to his studio in batches, taken away and a new group brought in. Harris, who lived on ritzy Belmont Avenue in Vancouver, died the following year. Cover image by DRK Design. To see more of his work, see Selwyn Pullan: Photographing Mid-Century West Coast Modern, Douglas & McIntyre, 2012.

Tags Ansel Adams, Architectural Digest, Art Center School, Arthur Erickson, Barry Downs, BC Electric, Fred Hollingsworth, Lawren Harris, Ned Pratt, Ron Thom, Selwyn Pullan, Sensational Vancouver, Western Homes and Living

Ned Pratt’s West Coast Modern House

by Eve Lazarus on October 6, 2013

Peter Pratt renovated and restored the house his father designed in 1953

I spent the afternoon with architect Peter Pratt at his home in the British Properties yesterday. Peter’s father Ned Pratt designed the house in the early 1950s and lived there for most of his life. You’ve likely never heard of Ned Pratt, I hadn’t until recently, and I find that really interesting because he may just be the most important architect to come out of Vancouver. Pratt was a principal at Thompson, Berwick, Pratt and he hired and mentored some of the most influential architects of the time. Arthur Erickson, Ron Thom, Paul Merrick, Barry Downs, Fred Hollingsworth, and artist BC Binning, all worked there at one point.

It was Pratt who designed the BC Electric building (BC Hydro) on Burrard Street and the Dal Grauer Substation next door, both game changers in architectural design in those early ‘50s. Binning did the murals for the building and Pratt helped Binning build his West Vancouver home—the house credited for kick starting the West Coast modern movement in BC.

“Pratt convinced BC Electric that a local firm with no experience in skyscraper design could handle the monumental task,” wrote architectural critic Robin Ward, in Pratt’s 1996 obituary. The drawings alone, if spread out would have covered five city blocks, noted Ward.

Mural designed by Ned Pratt and Ron Thom

When Peter took over the one-acre property and his childhood home, the house had started to leak and rot. “I don’t know how many times I heard ‘it’s a tear down Pratt, you can’t save it,” he said. “This is our home, it’s not so much an asset, it’s our home. It has a sense of place.”

Against all advice he decided to save what he could and restore it, keeping features such as a mural that Pratt and Ron Thom made from fiberglass and paper. Peter has moved walls around, taken out rooms, added skylights and put cork on the floors. He added bench seats out of reclaimed wood from the Pantages Theatre to go with a table his dad built.

Then Peter built his own post and beam home right next door. One side of the newer house is sheer glass and opens up onto the garden and a large water feature filled with fish. A courtyard connects the two houses and there are angles everywhere you look that give hints of what’s to come, what Peter calls “a process of discovery” that’s characteristic of these West Coast modern homes.

Ned’s house is 1,200 sq.ft. Peter’s is only slightly larger. Both are a nod to simplicity and scale and the importance of landscape. Proof that we don’t have to rip down these beautiful houses because they don’t fill out the lot.

View from Ned Pratt's living room — View from Ned Pratt’s living room

Tags Arthur Erickson, Barry Downs, BC Binning, Fred Hollingsworth, Ned Pratt, Paul Merrick, Peter Pratt, Ron Thom, Thompson Berwick Pratt

Fred Thornton Hollingsworth

by Eve Lazarus on October 24, 2010

Fred Hollingsworth in the Trethewey Residence he designed in 1961. Photo courtesy of Selwyn Pullan.

The story of Fred Hollingsworth and his house appears in Sensational Vancouver:

While Arthur Erickson, Ned Pratt and Ron Thom have imprinted their West Coast style of architecture all over Vancouver, Fred Thornton Hollingsworth is the architect most responsible for the look of post war North Vancouver. Inspired by Frank Lloyd Wright, Hollingsworth met the legend in 1951 and turned down a job offer to work with him, opting instead to develop his own style.

2800 Colwood Drive, North Vancouver

Dominica Babicki grew up in a Hollingsworth house and when the opportunity to buy another came up, she and partner Alastair Moore, a green building consultant, got out their cheque book.

Hollingsworth called their Colwood Drive house Neoteric—an economical house with a simple post and beam construction and a flat roof with a clerestory to bring in light to the interior spaces. Hollingsworth set this house at the rise of a slope and terraced the front yard with a series of rock retaining walls. He contracted E.A. Peck to build the house in 1950 for Leslie McNicol a salesman at the Mann Litho Company at a cost of $10,000.

Babicki and Moore have since transformed their home into a smart eco-residence in keeping with the spirit and character of the original house.

Modern Heritage Renovation

The owners found much of the design’s clarity and materials buried under layers of drywall, laminate flooring and paint. Gradually, they stripped away the materials to expose the original design. At the same time they improved upon the overall health, energy efficiency and environmental performance of the house with green materials, solar hot water heating, FSC-certified cedar siding and LED lighting.

Hollingsworth, now 93, still lives in the house he designed in 1946 on Ridgewood Drive. Twenty years later he told Canadian Architect why he wanted to stay in a small architectural practice: “Because we’re romantics and it is to me exciting to see a family raised in a fine building they have lived in since the day they were born.”

Tags Arthur Erickson, Frank Lloyd Wright, Fred Thornton Hollingsworth, Ned Pratt, Neoteric, Ron Thom

BC Binning and the Heritage Inventory

by Eve Lazarus on September 28, 2010

The full story of B.C. Binning’s house is in Sensational Vancouver

Most municipalities have a heritage inventory that includes houses built before 1940. Makes sense doesn’t it? When you think heritage you think old. But actually heritage can be 20 years old, and that can surprise a new home owner wanting to renovate or demolish who is suddenly hauled in front of a heritage commission.

When the City of Vancouver introduced the Heritage Register in 1986, the foremost concern was saving buildings deemed architecturally important. The register identified prominent Shaughnessy houses such as Glen Brae and Hycroft, Roedde House in the West End, as well as various churches, schools, and public buildings. Recently, the city added 22 modern buildings to the register. Five of these are protected through designation: the former BC Hydro building, the former Vancouver Public Library, the Gardner House in Southlands, the Dodek House in Oakridge and the Evergreen Building.

In 1997, the District of North Vancouver published a modern inventory for houses built between 1930 and 1965. Many are modest looking post and beams designed by local legends Arthur Erickson, Ron Thom, Fred T. Hollingsworth and Ned Pratt.

Designed by Ned Pratt in 1941 — BC Binning House

The Binning Residence at 2968 Mathers Crescent, in West Vancouver and built by Ned Pratt, is maintained by The Land Conservancy and it’s well worth checking out on one of the public tours.

Built in 1941 for $5,000, the house is credited with launching the West Coast modernism movement. Unlike the massive multi-million dollar mansions that surround it, Binning responded to the social and economic condition of the time by using local materials and efficient construction materials to create an affordable house that harmonizes art and architecture, form and function.

A prominent artist who studied under Frederick Varley and Henry Moore, Binning founded the University of B.C.’s department of fine arts. His interest in architecture led him to design large mosaic murals for public buildings such as the B.C. Electric Substation and the series of murals which he painted directly onto the walls of his house.

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